Tolstoy

61. Orekhanov, V. G. Chertkov v zhizni L. N. Tolstogo, 31.

62. Opul’skaya 2, 234; Fodor, A Quest for a Non-Violent Russia, 88–89.

63. See Fodor, A Quest for a Non-Violent Russia, 67–68.

64. T. L. Sukhotina-Tolstaya, Dnevnik, ed. T. Volkova, Moscow, 1984, 163.

65. Sukhotina-Tolstaya, Dnevnik, 132.

66. Fodor, A Quest for a Non-Violent Russia, 67.

67. Sukhotina-Tolstaya, Dnevnik, 300.

68. Muratov, L. N. Tolstoi i V. G. Chertkov, 248.

69. S. M. Tolstoi, Deti Tolstogo, Tula, 1993, 77.

70. Tolstoi, Deti Tolstogo, 175.

71. N. A. Kalinina et al., Perepiska L. N. Tolstogo s sestroi i brat’yami, Moscow, 1990, 419, 431.

72. Opul’skaya 2, 252.

73. Tolstoy, What is Art?, tr. A. Maude, ed. W. Gareth Jones, Bristol, 1994, 184.

74. Opul’skaya 2, 158.

75. See Gary Adelman, Anna Karenina: The Bitterness of Ecstasy, Boston, 1990, 124–125.

76. A. B. Gol’denveizer, ‘Tolstoi i muzyka: iz vospominanii’, Literaturnoe nasledstvo, 37/38, (1939), vol. 2, 591–594.

77. Gol’denveizer, ‘Tolstoi i muzyka: iz vospominanii’, 591–594.

78. S. L. Tolstoi, ‘Muzykal’nye proizvedeniya, lyubimye L. N. Tolstym (po vospominaniyam S. L. Tolstogo)’, Tolstovskii ezhegodnik, St Petersburg, 1913, 161–162.

79. Alexandra Orlova, Tchaikovsky: A Self Portrait, tr. R. M. Davison, Oxford, 1990, 62.

80. Orlova, Tchaikovsky: A Self Portrait, 253.

81. S. A. Tolstaya, ‘Moya zhizn’’, Prometei, 12 (1980), 191.

82. See R. Bartlett, Wagner and Russia, Cambridge, 1995, 48.

83. ‘The Theology of Redemptive Love’ is the sub-title of a chapter in Richard F. Gustafson’s Leo Tolstoy: Resident and Stranger, which should be consulted for an in-depth discussion of this topic. For a brief overview of the importance of redemption in Wagner’s works, see Robert Donington, ‘The Search for Redemption in Wagner’, Musical Times, vol. 130, no. 1751 (Jan. 1989), 20–22.

84. Thomas Mann, ‘The Sorrows and Grandeur of Richard Wagner’, April 1933, in Pro and Contra Wagner, tr. Allan Blunden, introd. Erich Heller, London, 1985, 94.

85. Maude, The Life of Tolstoy, 757; Muratov, L. N. Tolstoi i V. G. Chertkov, 257–266.

86. See Tolstoy, What is Art?, v, x.

87. Letopis’ 2, 268, 270.

88. Opul’skaya 2, 248–250.

89. N. Puzin, Dom-muzei L. N. Tolstogo v Yasnoi Polyane, Tula, 2001, 67.

90. Opul’skaya 2, 318.

91. Fodor, A Quest for a Non-Violent Russia, 98.

92. Letopis’ 2, 263.

93. L. Tolstoi, Voskresen’e: roman v trekh chastyakh: polnaya neiskazhennaya tsensur’yu versiya, 5th edn, Purleigh, 1900.

94. Orekhanov, V. G. Chertkov v zhizni L. N. Tolstogo, 48.

95. Fodor, A Quest for a Non-Violent Russia, 136.

96. Fodor, A Quest for a Non-Violent Russia, 91.

97. Holman, ‘The Purleigh Colony’, 173.

98. S. L. Tolstoi, Ocherki Bylogo, 3rd rev. edn, Tula, 1965, 197–218.

99. Letopis’ 2, 306.

100. Opul’skaya 2, 326.

101. R. Bartlett, ed., Anton Chekhov: A Life in Letters, tr. R. Bartlett and A. Phillips, London, 2004, 366.

102. Bartlett, Anton Chekhov: A Life in Letters, 434.

103. Bartlett, Anton Chekhov: A Life in Letters, 434.

104. Tolstoy, Resurrection, tr. Louise Maude, Oxford World’s Classics edn, New York, 2000, 147.

105. See Gregory L. Freeze, The Parish Clergy in Nineteenth-Century Russia: Crisis, Reform, Counter-Reform, Princeton, 1983.

106. Anton Chekhov, The Exclamation Mark, tr. Rosamund Bartlett, London, 2008, 56.

107. I. S. Belliustin, Description of the Clergy in Rural Russia: The Memoir of a Nineteenth-Century Parish Priest; tr. with an interpretive essay by Gregory L. Freeze, Ithaca, 1985.

108. See Chris J. Chulos, ‘Russian Piety and Culture from Peter the Great to 1917’, Cambridge History of Christianity, vol. 5: Eastern Christianity, ed. Michael Angold, Cambridge, 2006, 348–70.

109. See Leonid Heretz, Russia on the Eve of Modernity: Popular Religion and Traditional Culture Under the Last Tsars, Cambridge, 2008, 39.