The Stories of John Cheever

“Oh, certainly,” he said. Things were definitely looking up. He opened his salt container and in passing it to her a little salt spilled on the rug. “I’m afraid the bad luck will be yours,” she said. This was not said at all lightly. She salted her cutlet and ate everything on her tray. Then she went on reading the book with the concealed title. She would sooner or later have to use the toilet, he knew, and then he could read the title of the book, but when she did go to the stern of the plane she carried the book with her.

The screen for the film was lowered. Unless a picture was exceptionally interesting he never rented sound equipment. He had found that lip-reading and guesswork gave the picture an added dimension, and anyhow the dialogue was usually offensively banal. His neighbor rented equipment and seemed to enjoy herself heartily. She had a lovely musical laugh and communicated with the actors on the screen as she had communicated with the stewardess and as she had refused to communicate with her neighbor. The sun rose as they approached the Alps, although the film was not over. Here and there the brightness of an Alpine morning could be seen through the cracks in the drawn shades, but while they sailed over Mont Blanc and the Matterhorn the characters on the screen relentlessly pursued their script. There was a parade, a chase, a reconciliation, an ending. His companion, still carrying her mysterious book, retired to the stern again and returned wearing a sort of mobcap, her face heavily covered with some white unguent. She adjusted her pillow and blanket and arranged herself for sleep. “Sweet dreams,” he said, daringly. She sighed.

He never slept on planes. He went up to the galley and had a whiskey. The stewardess was pretty and talkative and she told him about her origins, her schedule, her fiancé, and her problems with passengers who suffered from flight fear. Beyond the Alps they began to lose altitude and he saw the Mediterranean from the port and had another whiskey. He saw Elba, Giglio, and the yachts in the harbor at Porto Ercole, where he could see the villas of his friends. He could remember coming into Nantucket so many years ago. They used to line the port railing and shout, “Oh, the Perrys are here and the Saltons and the Greenoughs.” It was partly genuine, partly show. When he returned to his seat his companion had removed her mobcap and her unguent. Her beauty in the light of morning was powerful. He could not diagnose what he found so compelling—nostalgia, perhaps—but her features, her pallor, the set of her eyes, all corresponded to his sense of beauty. “Good morning,” he said, “did you sleep well?” She frowned, she seemed to find this impertinent. “Does one ever?” she asked on a rising note. She put her mysterious book into a handbag with a zipper and gathered her things. When they landed at Fiumicino he stood aside to let her pass and followed her down the aisle. He went behind her through the passport, emigrant, and health check and joined her at the place where you claim your bags.

But look, look. Why does he point out her bag to the porter and why, when they both have their bags, does he follow her out to the cab stand, where he bargains with a driver for the trip into Rome? Why does he join her in the cab? Is he the undiscourageable masher that she dreaded? No, no. He is her husband, she is his wife, the mother of his children, and a woman he has worshipped passionately for nearly thirty years.

THE JEWELS OF THE CABOTS