I finish the shower, brush my teeth, and rinse out the basin. My face in the mirror looks like my face — it is the face I know best. The light rushes into the pupil of my eye, carrying with it the information that is within range of my vision, carrying with it the world, but what I see when I look at where the light goes in is blackness, deep and velvety. Light goes in and darkness looks back at me. The image is in my eye and in my brain, as well as in the mirror.
I turn off the light in the bathroom and go to bed, turning off the light beside the bed after I am sitting down. The afterimage of light burns in the darkness. I close my eyes and see the opposites balanced in space, floating across from each other. First the words, and then the images replacing the words.
Light is the opposite of dark. Heavy is the opposite of light. Memory is the opposite of forgetting. Attending is the opposite of absence. They are not quite the same: the word for the kind of light that is opposite of heavy seems lighter than the shiny balloon that comes as an image. Light gleams on the shiny sphere as it rises, recedes, vanishes…
I asked my mother once how I could have light in my dreams when my eyes were closed in sleep. Why were dreams not all dark, I asked. She did not know. The book told me a lot about visual processing in the brain, but it did not tell me that.
I wonder why. Surely someone else has asked why dreams can be full of light even in the dark. The brain generates images, yes, but where does it come from, the
I remember someone saying, of another child, “He likes baseball so much that if you opened his head there’d be a ball field inside…” That was before I knew that much of what people said did not mean what the words meant. I wondered what would be inside my head if someone opened it. I asked my mother and she said, “Your brain, dear,” and showed me a picture of a gray wrinkled thing. I cried because I knew I did not like it enough for it to fill my head. I was sure no one else had something that ugly inside their head. They would have baseball fields or ice cream or picnics.
I know now that everybody does have a gray wrinkled brain inside their head, not ball fields or swimming pools or the people they love. Whatever is in the mind does not show in the brain. But at the time it seemed proof that I was made wrong.
What I have in my head is light and dark and gravity and space and swords and groceries and colors and numbers and people and patterns so beautiful I get shivers all over. I still do not know why I have those patterns and not others.
The book answers questions other people have thought of. I have thought of questions they have not answered. I always thought my questions were wrong questions because no one else asked them. Maybe no one thought of them. Maybe darkness got there first. Maybe I am the first light touching a gulf of ignorance.
Maybe my questions matter.
CHAPTER FIFTEEN
Light. Morning light. I remember strange dreams, but not what they were about, only that they were strange. It is a bright, crisp day; when I touch the window glass it feels cold.
In the cooler air, I feel wide-awake, almost bouncy. The cereal flakes in the bowl have a crisp, ruffled texture; I feel them in my mouth, crunchy and then smooth.
When I come outside, the bright sun glints off pebbles in the parking lot pavement. It is a day for bright, brisk music. Possibilities surge through my mind; I settle on Bizet. I touch my car gingerly, noticing that even though Don is in jail my body is remembering that it might be dangerous. Nothing happens. The four new tires still smell new. The car starts. On the way to work, the music plays in my head, bright as the sunlight. I think of going out to the country to look at stars tonight; I should be able to see the space stations, too. Then I remember that it is Wednesday and I will go to fencing. I have not forgotten that in a long time. Did I mark the calendar this morning? I am not sure.
At work, I pull into my usual parking space. Mr. Aldrin is there standing just inside the door as if he were waiting for me.
“Lou, I saw it on the news — are you all right?”
“Yes,” I say. I think it should be obvious just from looking at me.
“If you don’t feel well, you can take the day off,” he says.
“I am fine,” I say. “I can work.”
“Well… if you’re sure.” He pauses, as if he expects me to say something, but I cannot think of anything to say. “The newscast said you disarmed the attacker, Lou — I didn’t know you knew how to do that.”
“I just did what I do in fencing,” I say. “Even though I didn’t have a blade.”
“Fencing!” His eyes widen; his brows lift up. “You do fencing? Like… with swords and things?”
“Yes. I go to fencing class once a week,” I say. I do not know how much to tell him.