The Indians — she couldn’t tell, sometimes, if one was male or female — sat on the ground, their backs against the depot wall, their pathetic wares spread out for sale on woven rugs before them. Hercules clung to her arm and she had to tell him not to stare as they walked the full length of the platform and then back again. But it was hard to keep one’s gaze away from these strange people. None spoke, few moved, and in their silence they seemed to her more like the taxidermy, the trophies on the walls inside the restaurant, than like fellow thinking creatures. They sat rigid on their dirty rugs, not really trying to sell the things they’d laid before them — items constructed of the most elemental things: straw, feathers, clay and animal carcasses. Some of the passengers lined up to have their pictures taken with a “chief,” a solemn stony figure in a feathered headdress and a vest made out of bones. But most of their fellow passengers handled the baskets and the pots and put them down again, dismissively. Some weighed the silver trinkets in their hands, necklaces and rings inset with blue-green stones, ill-formed and clumsy, Clara thought, she could imagine no modern woman of her mother’s style and taste deigning to wear such heavy, decorative things. The Indians, themselves, seemed not to care that nothing sold, seemed not to understand the elements of commerce. They seemed, oddly, in a state of non-existence, having arrived on the platform from god knows where in order to enact a play in which they were the scenery, nothing else. “What happened to them?” Hercules had asked. “They look so sad. They look like someone’s died. I think they’re sadder than
A good sign, Clara had thought: that he could imagine sadness greater than his own. Art, their father had frequently told them, was exactly that: to make art is to realize another’s sadness within, realize the hidden sadness in other people’s lives, to feel sad with and for a stranger. Hercules had pressed his nose against the carriage window as the train had lurched to life, inching forward from the Bismarck depot. And still the Indians had not moved. He had watched them solemnly and then, in a gesture understood by any human, he had raised his hand and waved farewell to them. Whose sadness were the Indians imagining, Clara wondered: whom, among the dead, did they miss, were there ancestors who, among the dead, they needed to believe were watching them, as Hercules believed their parents were? Their faces registered a state of emptiness, perhaps from looking at this too vast canvas for too long. As the train developed steam and speed the country rolled past in undifferentiated magnitude, she could see, to the horizon. How could a soul survive out here, she thought, without a mirror, without a printed word, without a line connecting one to mankind’s history, mankind’s self-perpetuating sadness? We’re not made for open spaces, she considered, they humiliate and humble us and make us search for God in granite niches. All this open territory — so important to the men back East — for what? To join the coasts. Join two halves of coastline. Connect us sea to sea. Control the money in both pockets. Was it