Читаем The Pickwick Papers полностью

‘Tom Smart was by no means of an irritable or envious disposition, but somehow or other the tall man with the brown coat and the bright basket buttons did rouse what little gall he had in his composition, and did make him feel extremely indignant, the more especially as he could now and then observe, from his seat before the glass, certain little affectionate familiarities passing between the tall man and the widow, which sufficiently denoted that the tall man was as high in favour as he was in size. Tom was fond of hot punch—I may venture to say he was very fond of hot punch—and after he had seen the vixenish mare well fed and well littered down, and had eaten every bit of the nice little hot dinner which the widow tossed up for him with her own hands, he just ordered a tumbler of it by way of experiment. Now, if there was one thing in the whole range of domestic art, which the widow could manufacture better than another, it was this identical article; and the first tumbler was adapted to Tom Smart’s taste with such peculiar nicety, that he ordered a second with the least possible delay. Hot punch is a pleasant thing, gentlemen—an extremely pleasant thing under any circumstances—but in that snug old parlour, before the roaring fire, with the wind blowing outside till every timber in the old house creaked again, Tom Smart found it perfectly delightful. He ordered another tumbler, and then another—I am not quite certain whether he didn’t order another after that—but the more he drank of the hot punch, the more he thought of the tall man.

‘“Confound his impudence!” said Tom to himself, “what business has he in that snug bar? Such an ugly villain too!” said Tom. “If the widow had any taste, she might surely pick up some better fellow than that.” Here Tom’s eye wandered from the glass on the chimney–piece to the glass on the table; and as he felt himself becoming gradually sentimental, he emptied the fourth tumbler of punch and ordered a fifth.

‘Tom Smart, gentlemen, had always been very much attached to the public line. It had been long his ambition to stand in a bar of his own, in a green coat, knee–cords, and tops. He had a great notion of taking the chair at convivial dinners, and he had often thought how well he could preside in a room of his own in the talking way, and what a capital example he could set to his customers in the drinking department. All these things passed rapidly through Tom’s mind as he sat drinking the hot punch by the roaring fire, and he felt very justly and properly indignant that the tall man should be in a fair way of keeping such an excellent house, while he, Tom Smart, was as far off from it as ever. So, after deliberating over the two last tumblers, whether he hadn’t a perfect right to pick a quarrel with the tall man for having contrived to get into the good graces of the buxom widow, Tom Smart at last arrived at the satisfactory conclusion that he was a very ill–used and persecuted individual, and had better go to bed.

‘Up a wide and ancient staircase the smart girl preceded Tom, shading the chamber candle with her hand, to protect it from the currents of air which in such a rambling old place might have found plenty of room to disport themselves in, without blowing the candle out, but which did blow it out nevertheless—thus affording Tom’s enemies an opportunity of asserting that it was he, and not the wind, who extinguished the candle, and that while he pretended to be blowing it alight again, he was in fact kissing the girl. Be this as it may, another light was obtained, and Tom was conducted through a maze of rooms, and a labyrinth of passages, to the apartment which had been prepared for his reception, where the girl bade him good–night and left him alone.

‘It was a good large room with big closets, and a bed which might have served for a whole boarding–school, to say nothing of a couple of oaken presses that would have held the baggage of a small army; but what struck Tom’s fancy most was a strange, grim–looking, high backed chair, carved in the most fantastic manner, with a flowered damask cushion, and the round knobs at the bottom of the legs carefully tied up in red cloth, as if it had got the gout in its toes. Of any other queer chair, Tom would only have thought it was a queer chair, and there would have been an end of the matter; but there was something about this particular chair, and yet he couldn’t tell what it was, so odd and so unlike any other piece of furniture he had ever seen, that it seemed to fascinate him. He sat down before the fire, and stared at the old chair for half an hour.—Damn the chair, it was such a strange old thing, he couldn’t take his eyes off it.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука