The Legacy of Cain

After dashing off this striking sketch of character, the fair artist asked to look at my letter again, and observed that the address was wanting. "I can set this right for you," she resumed, "thanks, as before, to my sweet Euneece. And (don't be in a hurry) I can make myself useful in another way. Oh, how I do enjoy making myself useful! If you trust your letter to the basket in the hall, Helena's lovely eyes—capable of the meanest conceivable actions—are sure to take a peep at the address. In that case, do you think your letter would get to London? I am afraid you detect a faint infusion of spitefulness in that question. Oh, for shame! I'll post the letter myself."

CHAPTER XXXVII. THE SHAMELESS SISTER.

For some reason, which my unassisted penetration was unable to discover, Miss Helena Gracedieu kept out of my way.

At dinner, on the day of my arrival, and at breakfast on the next morning, she was present of course; ready to make herself agreeable in a modest way, and provided with the necessary supply of cheerful small-talk. But the meal having come to an end, she had her domestic excuse ready, and unostentatiously disappeared like a well-bred young lady. I never met her on the stairs, never found myself intruding on her in the drawing-room, never caught her getting out of my way in the garden. As much at a loss for an explanation of these mysteries as I was, Miss Jillgall's interest in my welfare led her to caution me in a vague and general way.

"Take my word for it, dear Mr. Governor, she has some design on you. Will you allow an insignificant old maid to offer a suggestion? Oh, thank you; I will venture to advise. Please look back at your experience of the very worst female prisoner you ever had to deal with—and be guided accordingly if Helena catches you at a private interview."

In less than half an hour afterward, Helena caught me. I was writing in my room, when the maidservant came in with a message: "Miss Helena's compliments, sir, and would you please spare her half an hour, downstairs?"

My first excuse was of course that I was engaged. This was disposed of by a second message, provided beforehand, no doubt, for an anticipated refusal: "Miss Helena wished me to say, sir, that her time is your time." I was still obstinate; I pleaded next that my day was filled up. A third message had evidently been prepared, even for this emergency: "Miss Helena will regret, sir, having the pleasure deferred, but she will leave you to make your own appointment for to-morrow." Persistency so inveterate as this led to a result which Mr. Gracedieu's cautious daughter had not perhaps contemplated: it put me on my guard. There seemed to be a chance, to say the least of it, that I might serve Eunice's interests if I discovered what the enemy had to say. I locked up my writing—declared myself incapable of putting Miss Helena to needless inconvenience—and followed the maid to the lower floor of the house.

The room to which I was conducted proved to be empty. I looked round me.

If I had been told that a man lived there who was absolutely indifferent to appearances, I should have concluded that his views were faithfully represented by his place of abode. The chairs and tables reminded me of a railway waiting-room. The shabby little bookcase was the mute record of a life indifferent to literature. The carpet was of that dreadful drab color, still the cherished favorite of the average English mind, in spite of every protest that can be entered against it, on behalf of Art. The ceiling, recently whitewashed; made my eyes ache when they looked at it. On either side of the window, flaccid green curtains hung helplessly with nothing to loop them up. The writing-desk and the paper-case, viewed as specimens of woodwork, recalled the ready-made bedrooms on show in cheap shops. The books, mostly in slate-colored bindings, were devoted to the literature which is called religious; I only discovered three worldly publications among them—Domestic Cookery, Etiquette for Ladies, and Hints on the Breeding of Poultry. An ugly little clock, ticking noisily in a black case, and two candlesticks of base metal placed on either side of it, completed the ornaments on the chimney-piece. Neither pictures nor prints hid the barrenness of the walls. I saw no needlework and no flowers. The one object in the place which showed any pretensions to beauty was a looking-glass in an elegant gilt frame—sacred to vanity, and worthy of the office that it filled. Such was Helena Gracedieu's sitting-room. I really could not help thinking: How like her!

She came in with a face perfectly adapted to the circumstances—pleased and smiling; amiably deferential, in consideration of the claims of her father's guest—and, to my surprise, in some degree suggestive of one of those incorrigible female prisoners, to whom Miss Jillgall had referred me when she offered a word of advice.