The Hedgehog and the Fox

The new history is like a deaf man replying to questions which nobody puts to him. [… T]he primary question […] is, what power is it that moves the destinies of peoples? […] History seems to presuppose that this power can be taken for granted, and is familiar to everyone, but, in spite of every wish to admit that this power is familiar to us, anyone who has read a great many historical works cannot help doubting whether this power, which different historians understand in different ways, is in fact so completely familiar to everyone.¹

He goes on to say that political historians who write in this way explain nothing: they merely attribute events to the ‘power’ which important individuals are said to exercise over others, but do not tell us what the term ‘power’ means; and yet this is the heart of the problem. The problem of historical movement is directly connected with the ‘power’ exercised by some men over others: but what is ‘power’? How does one acquire it? Can it be transferred by one man to another? Surely it is not merely physical strength that is meant? Nor moral strength? Did Napoleon possess either of these?

General, as opposed to national, historians seem to Tolstoy merely to extend this category without elucidating it: instead of one country or nation, many are introduced, but the spectacle of the interplay of mysterious ‘forces’ makes it no clearer why some men or nations obey others, why wars are made, victories won, why innocent men who believe that murder is wicked kill one another with enthusiasm and pride, and are glorified for so doing; why great movements of human masses occur, sometimes from east to west, sometimes the other way. Tolstoy is particularly irritated by references to the dominant influence of great men or of ideas. Great men, we are told, are typical of the movements of their age: hence study of their characters ‘explains’ such movements. Do the characters of Diderot or Beaumarchais ‘explain’ the advance of the West upon the East? Do the letters of Ivan the Terrible to Prince Kurbsky ‘explain’ Russian expansion westward? But historians of culture do no better, for they merely add as an extra factor something called the ‘force’ of ideas or of books, although we still have no notion of what is meant by words like ‘force’. But why should Napoleon, or Mme de Staël or Baron Stein or Tsar Alexander, or all of these, plus the Contrat social, ‘cause’ Frenchmen to behead or to drown each other? Why is this called ‘explanation’? As for the importance which historians of culture attach to ideas, doubtless all men are liable to exaggerate the importance of their own wares: ideas are the commodity in which intellectuals deal – to a cobbler there’s nothing like leather – the professors merely tend to magnify their personal activities into the central ‘force’ that rules the world. Tolstoy adds that an even deeper darkness is cast upon this subject by political theorists, moralists, metaphysicians. The celebrated notion of the social

contract, for example, which some liberals peddle, speaks of the ‘vesting’ of the wills, in other words the power, of many men in one individual or group of individuals; but what kind of act is this ‘vesting’? It may have a legal or ethical significance, it may be relevant to what should be considered as permitted or forbidden, to the world of rights and duties, or of the good and the bad, but as a factual explanation of how a sovereign accumulates enough ‘power’ – as if it were a commodity – which enables him to effect this or that result, it means nothing. It declares that the conferring of power makes powerful; but this tautology is too unilluminating. What is ‘power’ and what is ‘conferring’? And who confers it and how is such conferring done?¹ The process seems very different from whatever it is that is discussed by the physical sciences. Conferring is an act, but an unintelligible one; conferring power, acquiring it, using it are not at all like eating or drinking or thinking or walking. We remain in the dark: obscurum per obscurius.²