The Hand Of Oberon

The door to my old cell stood partly ajar. I set down the lantern and used both hands to open it fully. It gave way grudgingly, moaning as it moved. Then I raised the lantern, held it high, and entered.

My flesh tingled and my stomach clenched itself within me. I began to shiver. I had to fight down a strong impulse to bolt and run. I had not anticipated such a reaction. I did not want to step away from that heavy brassbound door for fear that it would be slammed and bolted behind me. It was an instant close to pure terror that the small dirty cell had aroused in me. I forced myself to dwell on particulars - the hole which had been my latrine, the blackened spot where I had built my fire on that final day. I ran my left hand over the inner surface of the door, finding and tracing there the grooves I had worn while scraping away with my spoon. I remembered what the activity had done to my hands. I stooped to examine the gouging. Not nearly so deep as it had seemed at the time, not when compared to the total thickness of the door. I realized how much I had exaggerated the effects of that feeble effort toward freedom. I stepped past it and regarded the wall.

Faint. Dust and moisture had worked to undo it. But I could still discern the outlines of the lighthouse of Cabra, bordered by four slashes of my old spoon handle. The magic was still there, that force which had finally transported me to freedom. I felt it without calling upon it.

I turned and faced the other wall.

The sketch which I now regarded had fared less well than that of the lighthouse, but then it had been executed with extreme haste by the light of my last few matches. I could not even make out all of the details, though my memory furnished a few of those which were hidden: It was a view of a den or library, bookshelves lining the walls, a desk in the foreground, a globe beside the desk. I wondered whether I should risk wiping it clean.

I set my lantern on the floor, returned to the sketch on the other wall. With a corner of my blanket, I gently wiped some dust from a point near the base of the lighthouse. The line grew clearer. I wiped it again, exerting a little more pressure. Unfortunate. I destroyed an inch or so of outline.

I stepped back and tore a wide strip from the edge of the blanket. I folded what remained into a pad and seated myself on it. Slowly, carefully then, I set to work on the lighthouse. I had to get an exact feeling for the work before I tried cleaning the other one.

Half an hour later I stood up and stretched, bent and massaged life back into my legs. What remained of the lighthouse was clean. Unfortunately, I had destroyed about 20 per cent of the sketch before I developed a sense of the wall's texture and an appropriate stroke across it. I doubted that I was going to improve any further.

The lantern sputtered as I moved it. I unfolded the blanket, shook it out, tore off a fresh strip. Making up a new pad, I knelt before the other sketch and set to work.

A while later I had uncovered what remained of it. I had forgotten the skull on the desk until a careful stroke revealed it once again - and the angle of the far wall, and a tall candlestick… I drew back. It would be risky to do any more rubbing. Probably unnecessary, also. It seemed about as entire as it had been.

The lantern was flickering once again. Cursing Roger for not checking the kerosene level, I stood and held the light at shoulder level off to my left. I put everything from my mind but the scene before me.

It gained something of perspective as I stared. A moment later and it was totally three-dimensional and had expanded to fill my entire field of vision. I stepped forward then and rested the lantern on the edge of the desk.

I cast my eyes about the place. There were bookshelves on all four walls. No windows. Two doors at the far end of the room, right and left, across from one another, one closed, the other partly ajar. There was a long, low table covered with books and papers beside the opened door. Bizarre curios occupied open spaces on the shelves and odd niches and recesses in the walls - bones, stones, pottery, inscribed tablets, lenses, wands, instruments of unknown function. The huge rug resembled an Ardebil I took a step toward that end of the room and the lantern sputtered again. I turned and reached for it. At that moment, it failed.

I growled an obscenity and lowered my hand. Then I turned, slowly, to check for any possible light sources. Something resembling a branch of coral shone faintly on a shelf across the room and a pale line of illumination occurred at the base of the closed door. I abandoned the lantern and crossed the room.