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She took her foot off the brake and headed for the quartermaster building. She had been at Bird much longer than me and she knew where everything was. She parked again in front of the usual type of warehouse. I knew there would be a long counter inside with massive off-limits storage areas behind it. There would be huge bales of clothing, tires, blankets, mess kits, entrenching tools, equipment of every kind.

We went in and found a young guy in new BDUs behind the counter. He was a cheerful corn-fed country boy. He looked like he was working in his dad’s hardware store, and he looked like it was his life’s ambition. He was enthusiastic. I told him we were interested in construction equipment. He opened a manual the size of eight phone books. Found the correct section. I asked him to find listings for crowbars. He licked his forefinger and turned pages and found two entries. Prybar, general issue, long, claw on one end and then crowbar, general issue, short, claw on both ends. I asked him to show us an example of the latter.

The kid went away and disappeared among the tall stacks. We waited. Breathed in the unique quartermaster smell of old dust and new rubber and damp cotton twill. He came back after five long minutes with a GI crowbar. Laid it down on the counter in front of us. It landed with a heavy thump. Summer had been right. It was painted olive green. And it was a completely different item than the one we had just left in the pathologist’s office. Different section, six inches shorter, slightly thinner, slightly different curves. It looked carefully designed. It was probably a perfect example of the way the army does things. Years ago it had probably been the ninety-ninth item on someone’s reequipment agenda. A subcommittee would have been formed, with expert input from survivors of the old construction battalions. A specification would have been drawn up concerning length and weight and durability. Metal fatigue would have been investigated. Arenas of likely use would have been considered. Brittleness in the frozen winters of northern Europe would have been evaluated. Malleability in the severe heat of the equator would have been taken into account. Detailed drawings would have been made. Then tenders would have gone out. Mills all over Pennsylvania and Alabama would have priced the job. Prototypes would have been forged. They would have been tested, exhaustively. One and only one winner would have been approved. Paint would have been supplied, and the thickness and uniformity of its application would have been specified and carefully monitored. Then the whole business would have been completely forgotten. But the product of all those long months of deliberation was still coming through, thousands of units a year, needed or not.

“Thanks, soldier,” I said.

“You need to take it?” the kid asked.

“Just needed to see it,” I said.

We went back to my office. It was midmorning, a dull day, and I felt aimless. So far, the new decade wasn’t doing much for me. I wasn’t a huge fan of the 1990s yet, at that point, six days in.

“Are you going to write the accident report?” Summer asked.

“For Willard? Not yet.”

“He’ll expect it today.”

“I know. But I’m going to make him ask, one more time.”

“Why?”

“I guess because it’s a fascinating experience. Like watching maggots writhing around in something that died.”

“What died?”

“My enthusiasm for getting out of bed in the morning.”

“One bad apple,” she said. “Doesn’t mean much.”

“Maybe,” I said. “If it is just one.”

She said nothing.

“Crowbars,” I said. “We’ve got two separate cases with crowbars, and I don’t like coincidences. But I can’t see how they can be connected. There’s no way to join them up. Carbone was a million miles from Mrs. Kramer, in every way imaginable. They were in completely different worlds.”

“Vassell and Coomer join them up,” she said. “They had an interest in something that could have been in Mrs. Kramer’s house, and they were here at Bird the night Carbone was murdered.”

I nodded. “That’s what’s driving me crazy. It’s a perfect connection, except it isn’t. They took one call in D.C., they were too far from Green Valley to do anything to Mrs. Kramer themselves, and they didn’t call anyone from the hotel. Then they were here the night Carbone died, but they were in the O Club with a dozen witnesses the whole time, eating steak and fish.”

“First time they were here, they had a driver. Major Marshall, remember? But the second time, they were on their own. That feels a little clandestine to me. Like they were here for a secret reason.”

“Nothing very secret about hanging around in the O Club bar and then eating in the O Club dining room. They weren’t out of sight for a minute, all night long.”

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В МИРЕ ПРОДАНО БОЛЕЕ 30 МИЛЛИОНОВ ЭКЗЕМПЛЯРОВ КНИГ ШАРЛОТТЫ ЛИНК.НАЦИОНАЛЬНЫЙ БЕСТСЕЛЛЕР ГЕРМАНИИ № 1.Шарлотта Линк – самый успешный современный автор Германии. Все ее книги, переведенные почти на 30 языков, стали национальными и международными бестселлерами. В 1999–2023 гг. снято более двух десятков фильмов и сериалов по мотивам ее романов.Несколько пропавших девушек, мертвое тело у горных болот – и ни единого следа… Этот роман – беспощадный, коварный, загадочный – продолжение мирового бестселлера Шарлотты Линк «Обманутая».Тело 14-летней Саскии Моррис, бесследно исчезнувшей год назад на севере Англии, обнаружено на пустоши у горных болот. Вскоре после этого пропадает еще одна девушка, по имени Амели. Полиция Скарборо поднята по тревоге. Что это – дело рук одного и того же серийного преступника? Становится известно еще об одном исчезновении девушки, еще раньше, – ее так и не нашли. СМИ тут же заговорили об Убийце с пустошей, что усилило давление на полицейских.Сержант Кейт Линвилл из Скотланд-Ярда также находится в этом районе, но не по службе – пытается продать дом своих родителей. Случайно она знакомится с отчаявшейся семьей Амели – и, не в силах остаться в стороне, начинает независимое расследование. Но Кейт еще не представляет, с какой жутью ей предстоит столкнуться. Под угрозой ее рассудок – и сама жизнь…«Линк вновь позволяет нам заглянуть глубоко в человеческие бездны». – Kronen Zeitung«И снова настоящий восторг из-под пера королевы криминального жанра Шарлотты Линк». – Hannoversche Allgemeine Zeitung«Шарлотта Линк – одна из немногих мировых литературных звезд из Германии». – Berliner Zeitung«Отличный, коварный, глубокий, сложный роман». – Brigitte«Шарлотте Линк снова удалось выстроить очень сложную, но связную историю, которая едва ли может быть превзойдена по уровню напряжения». – Hamburger Morgenpost«Королева саспенса». – BUNTE«Потрясающий тембр авторского голоса Линк одновременно чарует и заставляет стыть кровь». – The New York Times«Пробирает до дрожи». – People«Одна из лучших писательниц нашего времени». – Journal für die Frau«Мощные психологические хитросплетения». – Focus

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