A radical alternative put forward by Newton’s rival Leibniz provides my central idea. The world is to be understood, not in the dualistic terms of atoms (things of one kind) that move in the framework and container of space and time (another quite different kind of thing), but in terms of more fundamental entities that fuse space and matter into the single notion of a possible arrangement, or configuration, of the entire universe. Such configurations, which can be fabulously richly structured, are the ultimate things. There are infinitely many of them; they are all different instances of a common principle of construction; and they are all, in my view, the different
Space and time in their previous role as the stage of the world are redundant. There is no container. The world does not
It is an ambitious task. How can a static universe appear so dynamic? How is it possible to watch the flashing colours of the kingfisher in flight and say there is no motion? If you read to the end, you will find that I do propose an answer. I make no claim that it is definitely right – choices must be made, and many physicists would not make mine. If all were clear, I should not have promised
For the study of time is not just that – it is the study of everything.
GETTING TO GRIPS WITH ELUSIVE TIME
Confucius
We must begin by trying to agree what time is. The problems start already, as St Augustine found. Nearly everybody would agree that time is experienced as something linear. It seems to move forward relentlessly, through instants strung out continuously on a line. We ride on an everchanging Now like passengers on a train. Each point on the line is a new instant. But is time moving forward – and if so through what – or are we moving forward through time? It is all very puzzling, and philosophers have got into interminable arguments. I shall not attempt to sort them out, since I do not think it would get us anywhere. The trouble with time is its invisibility. We shall never agree unless we can talk about something we can see and grasp.
I think it is more fruitful to try to agree on what an instant of time is like. I suggest it is like a ‘three-dimensional snapshot’. In any instant, we see objects in definite positions. Snapshots confirm our impression; artists were painting pictures that look like snapshots long before cameras were invented. This does seem to be a natural way to think about the experience of an instant. We also have evidence from the other senses. I feel an itch at the same time as seeing a moving object in a certain position. All the things I see, hear, smell and taste are knit together in a whole. ‘Knitting together’ seems to me the defining property of an instant. It gives it a unity.