"I am not seeing anybody."
"I know. You may have heard of Nero Wolfe. Have you?"
"Yes."
"He has been told by a man he knows well that your son Morris was killed by an agent of the FBI. That's why I am being followed. And that's why I must see you. I can be there in ten minutes. Did you get my name? Archie Goodwin."
Silence. Finally: "You know who killed my son?"
"Not his name. I don't know anything. I only know what Mr Wolfe has been told. That's all I can say on the phone. If I may make a suggestion, we think Miss Marian Hinckley should know about this too. Perhaps you could phone her and ask her to come, and I can tell both of you. Could you?"
"I could, yes. Are you a newspaper reporter? Is this a trick?"
"No. If I were this would be pretty dumb, you'd only have me bounced. I'm Archie Goodwin."
"But I don't…" Long pause. "Very well. The hallman will ask you for identification."
I told her of course, and hung up before she could change her mind.
When leaving the house I had decided that I would completely iguore the tail question, but I couldn't help it if my eyes, while scouting the street for an empty taxi, took notice of standing vehicles. However, when I was in and rolling, up Madison Avenue and then Park, I kept facing front. To hell with the rear.
It was a regulation Park Avenue hive in the Eighties-marquee, doorman hopping out when the taxi stopped, rubber runner saving the rug in the lobby-but it was Grade A, because the doorman did not double as hallman. When I showed the hallman, who was expecting me, my private investigator license he gave it a good look, handed it back, and told me 10B, and I went to the elevator. On the tenth floor I was admitted by a uniformed female who took my hat and coat, put them in a closet, and conducted me through an arch into a room even bigger than Lily Rowan's, where twenty couples can dance. I have a test for people with rooms that big-not the rugs or the furniture or the drapes, but the pictures on the walls. If I can tell what they are, okay. If all I can do is guess, look out; these people will bear watching. That room passed the test fine. I was looking at a canvas showing three girls sitting on the grass under a tree when footsteps came and I turned. She approached. She didn't offer a hand, but she said in a low, soft voice, "Mr Goodwin? I'm Ivana Althaus," and moved to a chair.