The Day of the Jackal

The crack as the cervcial column snapped was probably not very loud, but in the quiet of the studio it sounded like a small pistol going off. The forger's body gave one last contraction, then slumped as limp as a rag doll. The jackal held on for a moment longer before letting the body fall face down on the floor. The dead face twisted sideways, hands buried beneath the hips still clutching the privates, tongue protruding slightly between the clenched teeth, half bitten through, eyes open and staring at the faded pattern of the linoleum.

The Englishman walked quickly across to the curtains to make sure they were closed completely, then went back to the body. He turned it over and patted the pockets, finding the keys eventually in the left-hand side of the trousers. In the far corner of the studio stood the large trunk of «props' and make-up trays. The fourth key he tried opened the lid, and he spent ten minutes removing the contents and piling them in untidy heaps on the floor.

When the trunk was quite empty, the killer lifted the body of the forger by the armpits and hefted it over to the trunk. It went in quite easily, the limp limbs buckling to conform with the contours of the interior of the trunk. Within a few hours rigor mortis would set in, jamming the corpse into its adopted position at the bottom of the case. The jackal then started replacing the articles that had come out. Wigs, women's underwear, toupees and anything else that was small and soft were stuffed into the crevices between the limbs. On top went the several trays of make-up brushes and tubes of grease. Finally the jumble of remaining pots and cream, two negligees, some assorted sweaters and jeans, a dressing-gown and several pairs of black fishnet stockings were placed on top of the body, completely covering it and filling the trunk to the brim. It took a bit of pressure to make the lid close, but then the hasp went home and the padlock was shut.

Throughout the operation the Englishman had handled the pots and jars by wrapping his hand in a piece of cloth from inside the case. Using his own handkerchief he now wiped off the lock and all outer surfaces of the trunk, pocketed the bundle of five-pound notes that still lay on the table, wiped that too and replaced it against the wall where it had stood when he came in. Finally he put out the light, took a seat on one of the occasional chairs against the wall, and settled down to wait until darkness fell. After a few minutes he took out his box of cigarettes, emptied the remaining ten into one of the side pockets of his jacket, and smoked one of them, using the empty box as the ashtray and carefully preserving the used stub by putting it into the box when it was finished.

He had few illusions that the disappearance of the forger could remain undetected for ever, but thought there was a likelihood that a man like that would probably have to go underground or travel out of town at periodic intervals. If any of his friends remarked on his sudden failure to appear at his normal haunts they would probably put the fact down to that. After a while a search would start, first of all among the people connected with the forging or pornographic-photo business. Some of these might know about the studio and visit it, but most would be deterred by the locked door. Anyone who did penetrate into the studio would have to ransack the place, force the lock on the trunk and empty it before finding the body.

A member of the underworld, doing this, would probably not report the matter to the police, he reasoned, thinking the forger had fallen foul of a gangland boss. No maniac customer interested in pornography alone would have bothered to hide the body so meticulously after a killing in passion. But eventually the police would have to know. At that point a photograph would doubtless be published, and the barman would probably remember the departure of the forger from his bar on the evening of August 1st in company with a tall blond man in a check suit and dark glasses.