“Yes, I—” Roland began, then bent over and retched again. Nothing came out but a long silver string of spittle; he’d already lost his share of Nigel’s soup and sandwiches. Then he raised a slightly trembling fist to his forehead in greeting and said, “Yes. You have the advantage of me, sai.”
“That doesn’t matter,” the white-haired man replied. “Will you come with us? You and your ka-tet?”
“To be sure,” Roland said.
Behind him, Eddie bent over and vomited again. “God
“Like a first-class stateroom on the
“Come…
“Yes,” the man with the white hair agreed. “We really must go, Mr. Deschain.”
“Lead,” Roland said. “We’ll follow.”
Two
They hadn’t come out in a train station but rather in some sort of colossal roofed switching-yard. The silvery lines Jake had seen were crisscrossing rail-lines, perhaps as many as seventy different sets of tracks. On a couple of them, stubby, automated engines went back and forth on errands that had to be centuries outdated. One was pushing a flatcar filled with rusty I-beams. The other began to cry in an automated voice: “Will a Camka-A please go to Portway 9. Camka-A to Portway 9, if you please.”
Pogo-sticking up and down on Eddie’s hip began to make Susannah feel sick to her stomach all over again, but she’d caught the white-haired man’s urgency like a cold. Also, she now knew what the taheen were: monstrous creatures with the bodies of human beings and the heads of either birds or beasts. They reminded her of the things in that Bosch painting,
“I may have to puke again, sugarbunch,” she said. “Don’t you dare slow down if I do.”
Eddie made a grunting sound she took for an affirmative. She could see sweat pouring down his pale skin and felt sorry for him. He was as sick as she was. So now she knew what it was like to go through a scientific teleportation device that was clearly no longer working very well. She wondered if she would ever be able to bring herself to go through another one.
Jake looked up and saw a roof made of a million panes of different shapes and sizes; it was like looking at a tile mosaic painted a uniform dark gray. Then a bird flew through one of them, and he realized those weren’t tiles up there but panels of glass, some of them broken. That dark gray was apparently just how the outside world looked in Thunderclap.
Three
They passed a clutter of beached machinery — generators, maybe — then entered a maze of helter-skelter traincars that were very different from those hauled by Blaine the Mono. Some looked to Susannah like the sort of New York Central commuter cars she might have seen in Grand Central Station in her own when of 1964. As if to underline this notion, she noticed one with BAR CAR printed on the side. Yet there were others that appeared much older than that; made of dark riveted tin or steel instead of brushed chrome, they looked like the sort of passenger cars you’d see in an old Western movie, or a TV show like
At first Susannah tried to keep count of the lefts and rights they were making in this maze, then gave it up as a bad job. They finally emerged about fifty yards from a clapboard-sided hut with the alliterative message LADING/LOST LUGGAGE over the door. The intervening distance was an apron of cracked concrete scattered with abandoned luggage-carts, stacks of crates, and two dead Wolves.
“Come on,” said the old man with the mop of white hair, “not much further, now. But we have to hurry, because if the taheen from Heartbreak House catch us, they’ll kill you.”
“They’d kill us, too,” said the youngest of the three. He brushed his hair out of his eyes. “All except for Ted. Ted’s the only one of us who’s indispensable. He’s just too modest to say so.”
Past LADING/LOST LUGGAGE was (reasonably enough, Susannah thought) SHIPPING OFFICE. The fellow with the white hair tried the door. It was locked. This seemed to please rather than upset him. “Dinky?” he said.