The Dark Tower

The cry came again when they reached the kitchen, and it was louder, but at first they saw no way down to the cellar. Susannah moved slowly across the cracked and dirty linoleum, looking for a hidden trapdoor. She was about to tell Roland there was nothing when he said, “Here. Behind the cold-box.”

The refrigerator was no longer a top-of-the-line Amana with an icemaker in the door but a squat and dirty thing with the cooling machinery on top, in a drum-shaped casing. Her mother had had one like it when Susannah had been a little girl who answered to the name of Odetta, but her mother would have died before ever allowing her own to be even a tenth as dirty. A hundredth.

Roland moved it aside easily, for Dandelo, sly monster that he’d been, had put it on a little wheeled platform. She doubted that he got many visitors, not way out here in End-World, but he had been prepared to keep his secrets if someone did drop by. As she was sure folken did, every once and again. She imagined that few if any got any further along their way than the little hut on Odd Lane.

The stairs leading down were narrow and steep. Roland felt around inside the door and found a switch. It lit two bare bulbs, one halfway down the stairs and one below. As if in response to the light, the cry came again. It was full of pain and fear, but there were no words in it. The sound made her shiver.

“Come to the foot of the stairs, whoever you are!” Roland called.

No response from below. Outside the wind gusted and whooped, driving snow against the side of the house so hard that it sounded like sand.

“Come to where we can see you, or we’ll leave you where you are!” Roland called.

The inhabitant of the cellar didn’t come into the scant light but cried out again, a sound that was loaded with woe and terror and—Susannah feared it—madness.

He looked at her. She nodded and spoke in a whisper. “Go first. I’ll back your play, if you have to make one.”

“’Ware the steps that you don’t take a tumble,” he said in the same low voice.

She nodded again and made his own impatient twirling gesture with one hand: Go on, go on.

That raised a ghost of a smile on the gunslinger’s lips. He went down the stairs with the barrel of his gun laid into the hollow of his right shoulder, and for a moment he looked so like Jake Chambers that she could have wept.

SIX

The cellar was a maze of boxes and barrels and shrouded things hanging from hooks. Susannah had no wish to know what the dangling things were. The cry came again, a sound like sobbing and screaming mingled together. Above them, dim and muffled now, came the whoop and gasp of the wind.

Roland turned to his left and threaded his way down a zig-zag aisle with crates stacked head-high on either side. Susannah followed, keeping a good distance between them, looking constantly back over her shoulder. She was also alert for the sound of Oy raising the alarm from above. She saw one stack of crates that was labeled TEXAS INSTRUMENTS and another stack with HO FAT CHINESE FORTUNE COOKIE CO. stenciled on the side. She was not surprised to see the joke name of their long-abandoned taxi; she was far beyond surprise.

Ahead of her, Roland stopped. “Tears of my mother,” he said in a low voice. She had heard him use this phrase once before, when they had come upon a deer that had fallen into a ravine and lay there with both back legs and one front one broken, starving and looking up at them sightlessly, for the flies had eaten the unfortunate animal’s living eyes out of their sockets.

She stayed where she was until he gestured for her to join him, and then moved quickly up to his right side, boosting herself along on the palms of her hands.

In the stonewalled far corner of Dandelo’s cellar—the southeast corner, if she had her directions right—there was a makeshift prison cell. Its door was made of crisscrossing steel bars. Nearby was the welding rig Dandelo must have used to construct it . . . but long ago, judging from the thick layer of dust on the acetylene tank. Hanging from an S-shaped hook pounded into the stone wall, just out of the prisoner’s reach—left close by to mock him, Susannah had no doubt—was a large and old-fashioned

(dad-a-chum dad-a-chee)

silver key. The prisoner in question stood at the bars of his detainment, holding his filthy hands out to them. He was so scrawny that he reminded Susannah of certain terrible concentration-camp photos she had seen, images of those who had survived Auschwitz and Bergen-Belsen and Buchenwald, living (if barely) indictments of mankind as a whole with their striped uniforms hanging off them and their ghastly bellboy’s pillbox hats still on their heads and their terrible bright eyes, so full of awareness. We wish we did not know what we have become, those eyes said, but unfortunately we do.