The Complete Stories (forword by John Updike)

This whole occurrence is not isolated, it's in the general run of things. Indeed, it does happen now and again that minor petitions are granted, but then it invariably looks as though the colonel had done it as a powerful private person on his own responsibility, and it had to be kept all but a secret from the government — not explicitly of course, but that is what it feels like. No doubt in our little town the colonel's eyes, so far as we know, are also the eyes of the government, and yet there is a difference which it is impossible to comprehend completely.

In all important matters, however, the citizens can always count on a refusal. And now the strange fact is that without this refusal one simply cannot get along, yet at the same time these official occasions designed to receive the refusal are by no means a formality. Time after time one goes there full of expectation and in all seriousness and then one returns, if not exactly strengthened or happy, nevertheless not disappointed or tired. About these things I do not have to ask the opinion of anyone else, I feel them in myself, as everyone does; nor do I have any great desire to find out how these things are connected.

As a matter of fact there is, so far as my observations go, a certain age group that is not content — these are the young people roughly between seventeen and twenty. Quite young fellows, in fact, who are utterly incapable of foreseeing the consequences of even the least significant, far less a revolutionary, idea. And it is among just them that discontent creeps in.

Translated by Tania and James Stern

A Hunger Artist

DURING these last decades the interest in professional fasting has markedly diminished. It used to pay very well to stage such great performances under one's own management, but today that is quite impossible. We live in a different world now. At one time the whole town took a lively interest in the hunger artist; from day to day of his fast the excitement mounted; everybody wanted to see him at least once a day; there were people who bought season tickets for the last few days and sat from morning till night in front of his small barred cage; even in the nighttime there were visiting hours, when the whole effect was heightened by torch flares; on fine days the cage was set out in the open air, and then it was the children's special treat to see the hunger artist; for their elders he was often just a joke that happened to be in fashion, but the children stood openmouthed, holding each other's hands for greater security, marveling at him as he sat there pallid in black tights, with his ribs sticking out so prominently, not even on a seat but down among straw on the ground, sometimes giving a courteous nod, answering questions with a constrained smile, or perhaps stretching an arm through the bars so that one might feel how thin it was, and then again withdrawing deep into himself, paying no attention to anyone or anything, not even to the all-important striking of the clock that was the only piece of furniture in his cage, but merely staring into vacancy with half-shut eyes, now and then taking a sip from a tiny glass of water to moisten his lips.