The Collector

 It's funny how one idea leads to another. While I was buying the necklace I saw some rings and that gave me the plan I could ask her to _marry_ me and if she said no then it would mean I had to keep her. It would be a way out. I knew she wouldn't say yes. So I bought a ring. It was quite nice; but not very expensive. Just for show.

 When I got home I washed the necklace (I didn't like to think of it touching that other woman's skin) and hid it so that I could get it out at the correct time. Then I made all the preparations she said: there were flowers, and I put the bottles on the side-table, and laid out everything really grand hotel, with all the usual precautions, of course. We arranged I was to go down and fetch her at seven. After I took in the parcels I wasn't to see her, it was like it is before a wedding.

 What I decided was I would let her come up ungagged and untied just this once, I would take the risk but watch her like a knife and I would have the chloroform and CTC handy, just in case trouble blew up. Say someone knocked at the door, I could use the pad and have her bound and gagged in the kitchen in a very short time, and then open up.

 Well, at seven I had my best suit and shirt and a new tie I bought on and I went down to see her. It was raining, which was all to the good. She made me wait about ten minutes and then she came out. You could have knocked me down with a feather. For a moment I thought it wasn't her, it looked so different. She had a lot of French scent which I gave her on and she was really made up for the first time since she was with me; she had the dress on and it really suited her, it was a creamy colour, very simple but elegant, leaving her arms and her neck bare. It wasn't a girl's dress at all, she looked a real woman. Her hair was done up high unlike before, very elegant. Empire, she called it. She looked just like one of those model girls you see in magazines; it really amazed me what she could look like when she wanted. I remember her eyes were different too, she'd drawn black lines round them so she looked sophisticated. Sophisticated, that's exactly the word. Of course, she made me feel all clumsy and awkward. I had the same feeling I did when I had watched an imago emerge, and then to have to kill it. . I mean, the beauty confuses you, you don't know what you want to do any more, what you should do.

 "Well?" she said. She turned round, showing off.

 Very nice, I said.

 "Is that all?" She gave me a look under her eyebrows. She looked a real sensation.

 Beautiful, I said. I didn't know what to say, I wanted to look at her all the time and I couldn't. I felt sort of frightened, too.

 I mean, we seemed further apart than ever. And I knew more and more I couldn't let her go.

 Well, I said, shall we go up?

 "No cords, no gag?"

 It's too late for that, I said. That's all over.

 "I think what you're doing today, and tomorrow, is going to be one of the best things that ever happened to you."

 One of the saddest, I couldn't help saying.

 "No, it's not. It's the beginning of a new life. And a new you." And she reached out her hand and took mine and led me up the steps.

 It was pouring and she took one breath only before she went into the kitchen and through the dining-room into the lounge.

 "It's nice," she said.

 I thought you said that word meant nothing, I said.

 "Some things are nice. Can I have a glass of sherry?" I poured us one out each. Well, we stood there, she made me laugh, she kept on pretending that the room was full of people, waving at them, and telling me about them, and them about my new life, and then she put a record on the gramophone, it was soft music, and she looked beautiful. She was so changed, her eyes seemed alive, and what with the French scent she had that filled the room and the sherry and the heat from the fire, real logs, I managed to forget what I had to do later. I even said some silly jokes. Anyway she laughed.

 Well, she had a second glass and then we went through to the other room where I'd slipped my present in her place, which she saw at once.

 "For me?"

 Look and see, I said. She took off the paper and there was this dark blue leather case and she pressed the button and she just didn't say anything. She just stared at them.

 "Are they real?" She was awed, really awed.

 Of course. They're only little stones, but they're high quality.

 "They're fantastic," she said. Then she held out the box to me. "I can't take them. I understand, I think I understand why you've given them to me, and I appreciate it very much, but . . . I can't take them."

 I want you to, I said.

 "But . . . Ferdinand, if a young man gives a girl a present like this, it can only mean one thing."

 What, I asked.

 "Other people have nasty minds."

 I want you to have them. Please.

 "I'll wear them for now. I'll pretend they're mine."

 They are yours, I said.

 She came round the table with the case.

 "Put them on," she said. "If you give a girl jewellery, you must put it on yourself."