“We can’t have a furry-purry sex kitten like you sleeping under a bridge now, can we? But really, Hol, I need coffee like Dracula needs blood, so—” He doesn’t finish the sentence ’cause I’m kissing him, my Vinny, my boyfriend who’s been to New York and shaken David Byrne’s hand, and my love for him sort of goes
I just … gape at her crotch till she says, “It can’t look so
Then I gape at Vinny, who looks like he’s shat himself but then does this spazzo giggle: “It’s not what it looks like.”
Stella, cool as you please, covers herself with the sheet and tells Vinny, “Don’t be dense. This is pre
WHEN I STOP crying, finally, I find myself on a cold step in a little courtyard place, with five or six stories of old brick and narrow blind windows on each side. Weeds drilling up through paving slabs and dandelion seeds drifting around like snow in a snow globe. After I slammed Vinny’s door my feet brought me here, round the back of the Gravesend General Hospital, where Dr. Marinus got rid of Miss Constantin for me when I was seven years old. Did I punch Vinny? It was like I was moving in treacle. I couldn’t breathe. He caught my wrist and it hurt—still does—and Stella was barking, “Grow up and piss off, Holly. This is real life not an episode of
Stop
HOLLY SYKES AND the Weird Shit, Part 1. I was seven years old in 1976. It didn’t rain all summer and the gardens turned brown, and I remember queuing with buckets down the end of Queen Street with Brendan and Mam for water from standpipes, the drought got that bad. My daymares started that summer. I heard voices in my head. Not mad, or drooly, or specially scary, even, not at first … the Radio People, I called them, ’cause at first I thought there was a radio on in the next room. Only there never was a radio on in the next room. They were clearest at night, but I heard them at school, too, if everything was quiet enough, in a test, say. Three or four voices’d chunter away at once, and I never quite made out what they were saying. Brendan had talked ’bout mental hospitals and men in white coats, so I didn’t dare tell anyone. Mam was pregnant with Jacko, Dad rushed off his feet at the pub, Sharon was only three, and Brendan was a plonker, even then. I knew hearing voices wasn’t normal, but they weren’t actually harming me, so maybe it was just one of those secrets people live with.
One night, I had a nightmare about killer bees loose in the Captain Marlow, and woke up in a sweat. A lady was sat at the end of my bed saying, “Don’t worry, Holly, it’s all right,” and I said, “Thanks, Mam,” ’cause who else could it be? Then I heard Mam laughing in the kitchen down the corridor—this was before my bedroom was up in the attic. That was how I knew I’d only dreamt the lady on my bed, and I switched on the light to prove it.
And sure enough nobody was there.
“Don’t be afraid,” said the lady, “but I’m as real as you are.”
I didn’t scream or freak out. Sure, I was shaking, but even in my fear, I felt it was like a puzzle or a test. There was nobody in my room, but someone was speaking to me. So, as calm as I could, I asked the lady if she was a ghost. “Not a ghost,” said the lady who wasn’t there, “but a visitor to your mind. That’s why you can’t see me.” I asked what my visitor’s name was. Miss Constantin, she said. She said she’d sent the Radio People away, because they were a distraction, and hoped I didn’t mind. I said no. Miss Constantin said she had to go but that she’d love to drop by soon because I was “a singular young lady.”
Then she was gone. It took me ages to fall asleep, but by the time I did, I sort of felt I’d made a friend.