Vasquez had compiled a list of reasons for crossing the Avenue and walking to the Eiffel Tower, from,
Herself, she was doing her best not to think about the chamber under the prison’s sub-basement Just-Call-Me-Bill had taken her to. This was maybe a week after the tall, portly man she knew for a fact was CIA had started spending every waking moment with Mr. White. Vasquez had followed Bill down poured concrete stairs that led from the labyrinth of the basement and its handful of high-value captives in their scattered cells (not to mention the Closet, whose precise location she’d been unable to fix), to the sub-basement, where he had clicked on the large yellow flashlight he was carrying. Its beam had ranged over brick walls, an assortment of junk (some of it Soviet-era aircraft parts, some of it tools to repair those parts, some of it more recent: stacks of toilet paper, boxes of plastic cutlery, a pair of hospital gurneys). They had made their way through that place to a low doorway that opened on carved stone steps whose curved surfaces testified to the passage of generations of feet. All the time, Just-Call-Me-Bill had been talking, lecturing, detailing the history of the prison, from its time as a repair center for the aircraft the Soviets flew in and out of here, until some KGB officer decided the building was perfect for housing prisoners, a change everyone who subsequently held possession of it had maintained. Vasquez had struggled to pay attention, especially as they had descended the last set of stairs and the air grew warm, moist, the rock to either side of her damp.
The stairs had ended in a wide, circular area. The roof was flat, low, the walls no more than shadowy suggestions. Just-Call-Me-Bill’s flashlight had roamed the floor, picked out a symbol incised in the rock at their feet: a rough circle, the diameter of a manhole cover, broken at about eight o’clock. Its circumference was stained black, its interior a map of dark brown splotches.
A sound, the scrape of bare flesh dragging over stone, from behind and to her left, had spun Vasquez around, the flashlight held out to blind, her sidearm freed and following the light’s path. This section of the curving wall opened in a black arch like the top of an enormous throat. For a moment, that space had been full of a great, pale figure. Vasquez had had a confused impression of hands large as tires grasping either side of the arch, a boulder of a head, its mouth gaping amidst a frenzy of beard, its eyes vast, idiot. It was scrambling towards her; she didn’t know where to aim—
And then Mr. White had been standing in the archway, dressed in the white linen suit that somehow always seemed stained, even though no discoloration was visible on any of it. He had not blinked at the flashlight beam stabbing his face; nor had he appeared to judge Vasquez’s gun pointing at him of much concern. Muttering an apology, Vasquez had lowered gun and light immediately. Mr. White had ignored her, strolling across the round chamber to the foot of the stairs, which he had climbed quickly. Just-Call-Me-Bill had hurried after, a look on his bland face that Vasquez took for amusement. She had brought up the rear, sweeping the flashlight over the floor as she reached the lowest step. The broken circle had been empty, except for a red smear that shone in the light.