The Adventures of Sally

She felt his arm tighten about her, the muscles quivering. She caught sight of his face. His dark eyes suddenly blazed into hers and she stumbled with an odd feeling of helplessness; realizing with a shock that brought her with a jerk out of the half-dream into which she had been lulled that this dance had not postponed the moment of decision, as she had looked to it to do. In a hot whisper, the words swept away on the flood of the music which had suddenly become raucous and blaring once more, he was repeating what he had said under the trees at Monk's Crofton on that far-off morning in the English springtime. Dizzily she knew that she was resenting the unfairness of the attack at such a moment, but her mind seemed numbed.

The music stopped abruptly. Insistent clapping started it again, but Sally moved away to her table, and he followed her like a shadow. Neither spoke. Bruce Carmyle had said his say, and Sally was sitting staring before her, trying to think. She was tired, tired. Her eyes were burning. She tried to force herself to face the situation squarely. Was it worth struggling? Was anything in the world worth a struggle? She only knew that she was tired, desperately tired, tired to the very depths of her soul.

The music stopped. There was more clapping, but this time the orchestra did not respond. Gradually the floor emptied. The shuffling of feet ceased. The Flower Garden was as quiet as it was ever able to be. Even the voices of the babblers seemed strangely hushed. Sally closed her eyes, and as she did so from somewhere up near the roof there came the song of a bird.

Isadore Abrahams was a man of his word. He advertised a Flower Garden, and he had tried to give the public something as closely resembling a flower-garden as it was possible for an overcrowded, overheated, overnoisy Broadway dancing-resort to achieve. Paper roses festooned the walls; genuine tulips bloomed in tubs by every pillar; and from the roof hung cages with birds in them. One of these, stirred by the sudden cessation of the tumult below, had began to sing.

Sally had often pitied these birds, and more than once had pleaded in vain with Abrahams for a remission of their sentence, but somehow at this moment it did not occur to her that this one was merely praying in its own language, as she often had prayed in her thoughts, to be taken out of this place. To her, sitting there wrestling with Fate, the song seemed cheerful. It soothed her. It healed her to listen to it. And suddenly before her eyes there rose a vision of Monk's Crofton, cool, green, and peaceful under the mild English sun, luring her as an oasis seen in the distance lures the desert traveller...

She became aware that the master of Monk's Crofton had placed his hand on hers and was holding it in a tightening grip. She looked down and gave a little shiver. She had always disliked Bruce Carmyle's hands. They were strong and bony and black hair grew on the back of them. One of the earliest feelings regarding him had been that she would hate to have those hands touching her. But she did not move. Again that vision of the old garden had flickered across her mind... a haven where she could rest...

He was leaning towards her, whispering in her ear. The room was hotter than it had ever been, noisier than it had ever been, fuller than it had ever been. The bird on the roof was singing again and now she understood what it said. "Take me out of this!" Did anything matter except that? What did it matter how one was taken, or where, or by whom, so that one was taken.

Monk's Crofton was looking cool and green and peaceful...

"Very well," said Sally.

3

Bruce Carmyle, in the capacity of accepted suitor, found himself at something of a loss. He had a dissatisfied feeling. It was not the manner of Sally's acceptance that caused this. It would, of course, have pleased him better if she had shown more warmth, but he was prepared to wait for warmth. What did trouble him was the fact that his correct mind perceived now for the first time that he had chosen an unsuitable moment and place for his outburst of emotion. He belonged to the orthodox school of thought which looks on moonlight and solitude as the proper setting for a proposal of marriage; and the surroundings of the Flower Garden, for all its nice-ness and the nice manner in which it was conducted, jarred upon him profoundly.

Music had begun again, but it was not the soft music such as a lover demands if he is to give of his best. It was a brassy, clashy rendering of a ribald one-step, enough to choke the eloquence of the most ardent. Couples were dipping and swaying and bumping into one another as far as the eye could reach; while just behind him two waiters had halted in order to thrash out one of those voluble arguments in which waiters love to indulge. To continue the scene at the proper emotional level was impossible, and Bruce Carmyle began his career as an engaged man by dropping into Smalltalk.