Театр абсурда

Zweiunddreissig Zahne, Frankfurt: Suhrkamp, 1963 Hochwasser, stage ms.

Die Plebejer proben den AufsUmd, Neuwied: Luchterhand, 1966

English translations

Four Plays, trans. Ralph Manheim, London: Seeker Warburg, 1968, contains: Still Ten Minutes to Buffalo; Uncle, Uncle; The Flood; The Wicked Cooks.

The Plebeians Rehearse the Uprising, A German Tragedy, trans. by Ralph Manheim, London: Seeker Warburg, 1967

OTHER WRITINGS

Die Vorziige der Wmdahner (poems and prose sketches), Neuwied: Luchterhand, 1956 Die Blechtrommel (novel), Neuwied: Luchterhand, 1959 (trans. by Ralph Manheim, The Tin Drum, London: Seeker Warburg, 1962; Harmondsworth: Penguin Books, 196s)

Gleisdreieck (poems), Neuwied: Luchterhand, i960 Katz und Mans (novel), Neuwied: Luchterhand, 1961 (trans. by Ralph Manheim, Cat and Mouse, London: Seeker Warburg, 1963; Harajondsworth: Penguin Books, 1966)

Hmdejahre (novel), Neuwied: Luchterhand, 1963 (trans. by Ralph Manheim, Dog Years, London: Seeker Warburg, 1965; Harr mondsworth: Penguin Books 1969)

Ausgфagt (poems), Neuwied: Luchterhand, 1967 Selected Poems, trans. by Michael Hamburger and Christopher Middleton, have been published by Seeker Warburg, 1966; Harmondsworth: Penguin Books, 1969 Der Butt (novel) Neuwied: Luchterhand, 1977 (trans. by Ralph Manheim, The Flounder, London: Seeker Warburg, 15)78)

BIBLIOGRAPHY ON GRASS

tank, kurth lothar, Gunter Grass, Berlin: Colloquium, 1963

HAVEL, VACLAV

Protokoly (collected writings, including the two plays The Garden Party and The Memorandum), Prague: Mlada Fronta, 1966 (The Memorandum, trans. by Vera Blackwell, London: Cape, 1967)

HILDESHEIMER, WOLFGANG PLAYS

Spiele in denen es dunkel wird, Pfullingen: Neske, 1958, contains: Pastorale oder Die Zeit fiir Kakao, Landschaft mit Figuren, Die Uhren. Hildesheimer’s radio plays include: Das Ende kommt nie, Begegnung im Balleanexpress, Prinzessin Turandot (stage version, Der Drachenthron), An den Ufem der Plotinitza, Das Atelieifest, Die Bartschedelidee, Herm Walsers Raben.

OTHER WRITINGSS ‘Erlanger Rede iiber das absurde Theater’, Munich: Akzente, no. 6, i960

IONESCO, EUGENE

PLAYS

[for collected editions see p. 452]

La Cantatrice Chauve (written 1948, first performance 1950), in Thidtre I [Arcanes]; also in Thidtre I [Gallimard] (trans. by Donald M. Allen, The Bald Soprano, in Plays, vol. I [New York: Grove Press]; trans. by Donald Watson, The Bald Prima Donna, in Plays, vol. I [London: Calder])

LaLefon (written 1950, first performance 1951), in Theatre I [Arcanes]; also in ThiStre I [Gallimard] (trans. The Lesson, by Donald M.

BIBLIOGRAPHY

Allen in Plays, voL I [New Yode: Grove Press]; by Donald Watson in Plays, voL I [London: Calder], and in Penguin Plays, 1962) Jacques, ou La Soumission (written 1950, first performance 1955), in Thidtre I [Ar canes]; also in TheStre I [Gallimard] (trans. by Donald M. Allen, Jack or the Submission, in Plays, voL I [New York: Grove Press]; trans. by Donald Watson, Jacques or Obedience, in Plays, voL I [London: Calder])

Les Chaises (written 1951, first performance 1952), in Thidtre I [Gallimard] (trans., The Chairs, by Donald M. Allen in Plays, vol.

I [New York: Grove Press]; by Donald Watson in Plays, vol. I [London: Calder], and in Penguin Plays, 1962)

Le Salon de Г Automobile (first performance 1953), in Thidtre I [Arcanes]; also in Thidtre TV (trans. by Sasha Moorsom, The Motor Show, London: 3 Arts Quarterly, no. 2, Summer i960)

L’Avenir est dans les CEufs ou П faut de tout pour fake un monde (written 1951, first performance 1937)» m Thidtre II (trans. by Derek Prouse, The Future is in Eggs or It takes all sorts to make a world, in Plays, voLIV)