Театр абсурда

Play and Two Short Pieces for Radio, London: Faber Faber, 1964, contains: Play, Words and Music, Cascando (trans. by author) Comidie et Actes Divers, Paris: Editions de Minuit, 1966, contains: Comidie (Play trans. by author); Va et Vient, Dramaticule (Come and Go trans. by author); Cascando, Piice radiophoniquepour musique et voix; Paroles et Musique, Piece radiophonique (Words and Music trans. by author); Dis Joe, Piece pour la tiUvision (Eh Joe trans. by author); Acte Sans Paroles II, pour deux personnages et un aiguillon (Act Without Words II trans. by author)

Come and Go (English original) first published in Samuel Beckett, Aus einem aufgegebenen Werk und kurze Spiele (a collection of short prose works and plays in the original language and German trans.), Frankfurt: Suhrkamp, 1966 (no. 145 in ‘Edition Suhrkamp'); separate publication, London: Calder Boyars, 1967 Eh Joe and Other Writings, London: Faber Faber, 1967, contains Eh Joe, Act Without Words II, Film Breath and Other Shorts, London: Faber Faber, 1971, contains: Breath, Come and Go, Act Without Words I, Act Without Words II, From an Abandoned Work Not I, London: Faber Faber, 197З Footfalls, London: Faber Faber, 1976 That Time, London: Faber Faber, 1976

End and Odds. Plays and Sketches, London: Faber Faber, 1977. contains: Not I, That Time, Footfalls, Ghost Trio,… but the clouds …, Theatre I, Theatre II, Radio I, Radio II Film. Complete Scenario; Illustrations; Production shots, New York: Grove Press, 1969

NARRATIVE PROSE

More Pricks than Kicks, London: Chatto Windus, 1934; one story, ‘Dante and the lobster’, New York: Evergreen Review, I, I

BIBLIOGRAPHY

Murphy, London: Roudedge, 1938; new edition, New York: Grove Press, n.d.

Watt, Paris: Olympia Press, 1958 Molby, Paris: Editions de Minuit, 1951 Malone Meurt, Paris: Editions de Minuit, 1951 L’Innommable, Paris: Editions de Minuit, 1953 Three Novels, London: Calder, 1959. contains: Molloy, trans. by Patrick Bowles, Malone Dies and The Uniumable, trans. by author Nouvelles et Textes pour Riot, Paris: Editions de Minuit, 1955 (a story trans. by Richard Seaver and author, ‘The end’, New York: Evergreen Review, no. 15, November-December i960)

Text for Nothing I, trans. by author, New York: Evergreen Review, no. 9, Summer 1959 From an Abandoned Work, London: Faber Faber, 1957; New York: Evergreen Review, I, 3, 1957 Comment C’Est, Paris: Editions de Minuit, 1961 (trans. by author, How It Is, New York: Grove Press, 1964; London: Calder, 1964); an extract from an earlier version of this novel, ‘L’image’, London: X, no. 1, November 1959 (another extract trans. by author, ‘From an unabandoned work’, New York: Evergreen Review, no.

14, September-October i960)

Imagination Morte Imaginez, Paris: Editions de Minuit, 196J (trans.

by author, Imagination Dead Imagine, London: Calder, 1965) assez, Paris: Editions de Minuit, 1966 bing, Paris: Editions de Minuit, 1966

No's Knife, Collected Shorter Prose 1947–1966, London: Calder Boyars, 1967, contains: Stories, Texts fir Nothing, From an Abandoned Work, Enough, Imagination Dead Imagine, Ping Premier Amour, Paris: Editions de Minuit, 1970 Le Dipeupleur, Paris: Editions de Minuit, 1970 (trans. by author, The Lost Ones, London: Calder Boyars, 1972)

VERSE

Whoroscope, Paris: The Hours Press, 1930 Echo’s Bones, Paris: Europe Press, 1935 ‘ Trois poemes’, Paris: Cahiers des Saisons, no. 2, October 1955 Poems in English, London: Calder, 1961

BIBLIOGRAPHY

Gedichte (bilingual edition of Echo’s Bones followed by other poems in English and French, with German parallel translation), Wiesbaden: Limes, 1959

ESSAYS