The safety belt of the yellow-handled ejection seat is wide nylon web, heavy and olive-drab; into its explosive buckle fits the nylon harness from over my shoulders and the amber steel link that automatically opens my parachute if I should have to bail out tonight. I surround myself with the universal quiet metallic noises of a pilot joining himself to his airplane. The two straps to the seat cushion survival kit, after their usual struggle, are captured and clink softly to my parachute harness. The green oxygen mask fits into its regulator hose with a muffled rubbery snap. The steel D-ring lanyard clanks as it fastens to the curved bar of the parachute ripcord handle. The red-streamered ejection seat safety pin scrapes out of its hole drilled in the trigger of the right armrest and rustles in the darkness into the small pocket on the leg of my tight-laced G-suit. The elastic leg strap of my scratched aluminum kneeboard cinches around my left thigh, latching itself with a hollow clank. My hard white fiberglass crash helmet, dark-visored, gold-lettered 1/LT. BACH, fits stiffly down to cover my head, its soft sponge-rubber earphones waiting a long cold moment before they begin to warm against my ears. The chamois chinstrap snaps at the left side, microphone cable connects with its own frosty click into the aircraft radio cord, and at last the wind-chilled green rubber oxygen mask snugs over my nose and mouth, fitting with a tight click-click of the smooth chromed fastener at the right side of the helmet. When the little family of noises is still, by tubes and wires and snaps and buckles, my body is attached to the larger, sleeping body of my airplane.
Outside, in the dark moving blanket of cold, a ghostly yellow auxiliary power unit roars into life, controlled by a man in a heavy issue parka who is hoping that I will be quick to start my engine and taxi away. Despite the parka, he is cold. The clatter and roar of the big gasoline engine under his hands settles a bit, and on its voltage dials, white needles spring into their green arcs.
From the engine of the power unit, through the spinning generator, through the black rubber snake into the cold silver wing of my airplane, through the marked wires of the DC electrical system, the power explodes in my dark cockpit as six brilliant red and yellow warning lights, and as quick tremblings of a few instrument pointers.
My leather gloves, stamped with the white wings and star of Air Force property, go through a familiar little act for the interested audience that watches from behind my eyes. From left to right around the cockpit they travel; checking left console circuit breakers in, gun heater switch
There is no time to take a breath or blink the eye. There is one tiny tenth-second hiss before concussion shatters icy air. Suddenly, instantly, air and sparks and Jet Propellant Four. My airplane is designed to start its engine with an explosion. It can be started in no other way. But the sound is a keg of black powder under the match, a cannon firing, the burst of a hand grenade. The man outside blinks, painfully.
With the blast, as though with suddenly-opened eyes, my airplane is alive. Instantly awake. The thunderclap is gone as quickly as it came, replaced by a quiet rising whine that peaks quickly, very high, and slides back down the scale into nothingness. But before the whine is gone, deep inside the engine, combustion chambers have earned their name. The luminous white pointer of fee gage marked
Flourish with the right glove, finger pointing away; away the power, I’m on my own.
Tailpipe temperature is settled and at home with 450 degrees of centigrade, tachometer steadies to note that the engine is turning at 45 percent of its possible rpm. The rush of air to the insatiable steel engine is a constant rasping scream at the oval intake, a chained banshee shrieking in the icy black air and the searing blue fire.