But Arthur Leander was running out of time. He swayed, his eyes unfocused, and it was obvious to Jeevan that he wasn’t Lear anymore. Jeevan pushed the usher aside and made a dash for the steps leading up to the stage, but a second usher was jogging down the aisle, which forced Jeevan to throw himself at the stage without the benefit of stairs. It was higher than he’d thought and he had to kick the first usher, who’d grasped hold of his sleeve. The snow was plastic, Jeevan noted peripherally, little bits of translucent plastic, clinging to his jacket and brushing against his skin. Edgar and Gloucester were distracted by the commotion, neither of them looking at Arthur, who was leaning on a plywood column, staring vacantly. There were shouts from backstage, two shadows approaching quickly, but Jeevan had reached Arthur by now and he caught the actor as he lost consciousness, eased him gently to the floor. The snow was falling fast around them, shimmering in blue-white light. Arthur wasn’t breathing. The two shadows—security men—had stopped a few paces away, presumably catching on by now that Jeevan wasn’t a deranged fan. The audience was a clamor of voices, flashes from cell-phone cameras, indistinct exclamations in the dark.
“Jesus Christ,” Edgar said. “Oh Jesus.” He’d dropped the British accent he’d been using earlier and now sounded as if he were from Alabama, which in fact he was. Gloucester had pulled away the gauze bandage that had covered half his face—by this point in the play his character’s eyes had been put out—and seemed frozen in place, his mouth opening and closing like a fish.
Arthur’s heart wasn’t beating. Jeevan began CPR. Someone shouted an order and the curtain dropped, a
“I’m a cardiologist,” he said. “Walter Jacobi.” His eyes were magnified by his glasses, and his hair had gone wispy on the top of his head.
“Jeevan Chaudhary,” Jeevan said. He wasn’t sure how long he’d been here. People were moving around him, but everyone seemed distant and indistinct except Arthur, and now this other man who’d joined them. It was like being in the eye of a storm, Jeevan thought, he and Walter and Arthur here together in the calm. Walter touched the actor’s forehead once, gently, like a parent soothing a fevered child.
“They’ve called an ambulance,” Walter said.
The fallen curtain lent an unexpected intimacy to the stage. Jeevan was thinking of the time he’d interviewed Arthur in Los Angeles, years ago now, during his brief career as an entertainment journalist. He was thinking of his girlfriend, Laura, wondering if she was waiting in her front-row seat or if she might’ve gone out to the lobby. He was thinking, Please start breathing again, please. He was thinking about the way the dropped curtain closed off the fourth wall and turned the stage into a room, albeit a room with cavernous space instead of a ceiling, fathoms of catwalks and lights between which a soul might slip undetected. That’s a ridiculous thought, Jeevan told himself. Don’t be stupid. But now there was a prickling at the back of his neck, a sense of being watched from above.
“Do you want me to take a turn?” Walter asked. Jeevan understood that the cardiologist felt useless, so he nodded and raised his hands from Arthur’s chest and Walter picked up the rhythm.
Not quite a room, Jeevan thought now, looking around the stage. It was too transitory, all those doorways and dark spaces between wings, the missing ceiling. It was more like a terminal, he thought, a train station or an airport, everyone passing quickly through. The ambulance had arrived, a pair of medics approaching through the absurdly still-falling snow, and then they were upon the fallen actor like crows, a man and a woman in dark uniforms crowding Jeevan aside, the woman so young she could’ve passed as a teenager. Jeevan rose and stepped back. The column against which Arthur had collapsed was smooth and polished under his fingertips, wood painted to look like stone.