In thinking of my successive tutors, I am concerned less with the queer dissonances they introduced into my young life than with the essential stability and completeness of that life. I witness with pleasure the supreme achievement of memory, which is the masterly use it makes of innate harmonies when gathering to its fold the suspended and wandering tonalities of the past. I like to imagine, in consummation and resolution of those jangling chords, something as enduring, in retrospect, as the long table that on summer birthdays and namedays used to be laid for afternoon chocolate out of doors, in an alley of birches, limes and maples at its debouchment on the smooth-sanded space of the garden proper that separated the park and the house. I see the tablecloth and the faces of seated people sharing in the animation of light and shade beneath a moving, a fabulous foliage, exaggerated, no doubt, by the same faculty of impassioned commemoration, of ceaseless return, that makes me always approach that banquet table from the outside, from the depth of the park—not from the house—as if the mind, in order to go back thither, had to do so with the silent steps of a prodigal, faint with excitement. Through a tremulous prism, I distinguish the features of relatives and familiars, mute lips serenely moving in forgotten speech. I see the steam of the chocolate and the plates of blueberry tarts. I note the small helicopter of a revolving samara that gently descends upon the tablecloth, and, lying across the table, an adolescent girl’s bare arm indolently extended as far as it will go, with its turquoise-veined underside turned up to the flaky sunlight, the palm open in lazy expectancy of something—perhaps the nutcracker. In the place where my current tutor sits, there is a changeful image, a succession of fade-ins and fade-outs; the pulsation of my thought mingles with that of the leaf shadows and turns Ordo into Max and Max into Lenski and Lenski into the schoolmaster, and the whole array of trembling transformations is repeated. And then, suddenly, just when the colors and outlines settle at last to their various duties—smiling, frivolous duties—some knob is touched and a torrent of sounds comes to life: voices speaking all together, a walnut cracked, the click of a nutcracker carelessly passed, thirty human hearts drowning mine with their regular beats; the sough and sigh of a thousand trees, the local concord of loud summer birds, and, beyond the river, behind the rhythmic trees, the confused and enthusiastic hullabaloo of bathing young villagers, like a background of wild applause.
9
1
I HAVE before me a large bedraggled scrapbook, bound in black cloth. It contains old documents, including diplomas, drafts, diaries, identity cards, penciled notes, and some printed matter, which had been in my mother’s meticulous keeping in Prague until her death there, but then, between 1939 and 1961, went through various vicissitudes. With the aid of those papers and my own recollections, I have composed the following short biography of my father.
Vladimir Dmitrievich Nabokov, jurist, publicist and statesman, son of Dmitri Nikolaevich Nabokov, Minister of Justice, and Baroness Maria von Korff, was born on July 20, 1870, at Tsarskoe Selo near St. Petersburg, and was killed by an assassin’s bullet on March 28, 1922, in Berlin. Till the age of thirteen he was educated at home by French and English governesses and by Russian and German tutors; from one of the latter he caught and passed on to me the