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"The interests of the people! Your interests is what you mean!" thought Nekhludoff as he went out. And he ran over in his mind the people in whom is manifested the activity of the institutions that uphold religion and educate the people. He began with the woman punished for the illicit sale of spirits, the boy for theft, the tramp for tramping, the incendiary for setting a house on fire, the banker for fraud, and that unfortunate Lydia Shoustova imprisoned only because they hoped to get such information as they required from her. Then he thought of the sectarians punished for violating Orthodoxy, and Gourkevitch for wanting constitutional government, and Nekhludoff clearly saw that all these people were arrested, locked up, exiled, not really because they transgressed against justice or behaved unlawfully, but only because they were an obstacle hindering the officials and the rich from enjoying the property they had taken away from the people. And the woman who sold wine without having a license, and the thief knocking about the town, and Lydia Shoustova hiding proclamations, and the sectarians upsetting superstitions, and Gourkevitch desiring a constitution, were a real hindrance. It seemed perfectly clear to Nekhludoff that all these officials, beginning with his aunt's husband, the Senators, and Toporoff, down to those clean and correct gentlemen who sat at the tables in the Ministry Office, were not at all troubled by the fact that that in such a state of things the innocent had to suffer, but were only concerned how to get rid of the really dangerous, so that the rule that ten guilty should escape rather than that one innocent should be condemned was not observed, but, on the contrary, for the sake of getting rid of one really dangerous person, ten who seemed dangerous were punished, as, when cutting a rotten piece out of anything, one has to cut away some that is good.

This explanation seemed very simple and clear to Nekhludoff; but its very simplicity and clearness made him hesitate to accept it. Was it possible that so complicated a phenomenon could have so simple and terrible an explanation? Was it possible that all these words about justice, law, religion, and God, and so on, were mere words, hiding the coarsest cupidity and cruelty?

CHAPTER XXVIII.

THE MEANING OF MARIETTE'S ATTRACTION.

Nekhludoff would have left Petersburg on the evening of the same day, but he had promised Mariette to meet her at the theatre, and though he knew that he ought not to keep that promise, he deceived himself into the belief that it would not be right to break his word.

"Am I capable of withstanding these temptations?" he asked himself not quite honestly. "I shall try for the last time."

He dressed in his evening clothes, and arrived at the theatre during the second act of the eternal Dame aux Camelias, in which a foreign actress once again, and in a novel manner, showed how women die of consumption.

The theatre was quite full. Mariette's box was at once, and with great deference, shown to Nekhludoff at his request. A liveried servant stood in the corridor outside; he bowed to Nekhludoff as to one whom he knew, and opened the door of the box.

All the people who sat and stood in the boxes on the opposite side, those who sat near and those who were in the parterre, with their grey, grizzly, bald, or curly heads—all were absorbed in watching the thin, bony actress who, dressed in silks and laces, was wriggling before them, and speaking in an unnatural voice.

Some one called "Hush!" when the door opened, and two streams, one of cool, the other of hot, air touched Nekhludoff's face.

Mariette and a lady whom he did not know, with a red cape and a big, heavy head-dress, were in the box, and two men also, Mariette's husband, the General, a tall, handsome man with a severe, inscrutable countenance, a Roman nose, and a uniform padded round the chest, and a fair man, with a bit of shaved chin between pompous whiskers.

Mariette, graceful, slight, elegant, her low-necked dress showing her firm, shapely, slanting shoulders, with a little black mole where they joined her neck, immediately turned, and pointed with her face to a chair behind her in an engaging manner, and smiled a smile that seemed full of meaning to Nekhludoff.

The husband looked at him in the quiet way in which he did everything, and bowed. In the look he exchanged with his wife, the master, the owner of a beautiful woman, was to be seen at once.

When the monologue was over the theatre resounded with the clapping of hands. Mariette rose, and holding up her rustling silk skirt, went into the back of the box and introduced Nekhludoff to her husband.

The General, without ceasing to smile with his eyes, said he was very pleased, and then sat inscrutably silent.

"I ought to have left to-day, had I not promised," said

Nekhludoff to Mariette.

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Иммануил Кант – самый влиятельный философ Европы, создатель грандиозной метафизической системы, основоположник немецкой классической философии.Книга содержит три фундаментальные работы Канта, затрагивающие философскую, эстетическую и нравственную проблематику.В «Критике способности суждения» Кант разрабатывает вопросы, посвященные сущности искусства, исследует темы прекрасного и возвышенного, изучает феномен творческой деятельности.«Критика чистого разума» является основополагающей работой Канта, ставшей поворотным событием в истории философской мысли.Труд «Основы метафизики нравственности» включает исследование, посвященное основным вопросам этики.Знакомство с наследием Канта является общеобязательным для людей, осваивающих гуманитарные, обществоведческие и технические специальности.

Иммануил Кант

Философия / Проза / Классическая проза ХIX века / Русская классическая проза / Прочая справочная литература / Образование и наука / Словари и Энциклопедии