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The next day Maslova's case was to be examined at the Senate, and Nekhludoff and the advocate met at the majestic portal of the building, where several carriages were waiting. Ascending the magnificent and imposing staircase to the first floor, the advocate, who knew all the ins and outs of the place, turned to the left and entered through a door which had the date of the introduction of the Code of Laws above it.

After taking off his overcoat in the first narrow room, he found out from the attendant that the Senators had all arrived, and that the last had just come in. Fanarin, in his swallow-tail coat, a white tie above the white shirt-front, and a self-confident smile on his lips, passed into the next room. In this room there were to the right a large cupboard and a table, and to the left a winding staircase, which an elegant official in uniform was descending with a portfolio under his arm. In this room an old man with long, white hair and a patriarchal appearance attracted every one's attention. He wore a short coat and grey trousers. Two attendants stood respectfully beside him. The old man with white hair entered the cupboard and shut himself in.

Fanarin noticed a fellow-advocate dressed in the same way as himself, with a white tie and dress coat, and at once entered into an animated conversation with him.

Nekhludoff was meanwhile examining the people in the room. The public consisted of about 15 persons, of whom two were ladies—a young one with a pince-nez, and an old, grey-haired one.

A case of libel was to be heard that day, and therefore the public were more numerous than usual—chiefly persons belonging to the journalistic world.

The usher, a red-cheeked, handsome man in a fine uniform, came up to Fanarin and asked him what his business was. When he heard that it was the case of Maslova, he noted something down and walked away. Then the cupboard door opened and the old man with the patriarchal appearance stepped out, no longer in a short coat but in a gold-trimmed attire, which made him look like a bird, and with metal plates on his breast. This funny costume seemed to make the old man himself feel uncomfortable, and, walking faster than his wont, he hurried out of the door opposite the entrance.

"That is Bay, a most estimable man," Fanarin said to Nekhludoff, and then having introduced him to his colleague, he explained the case that was about to be heard, which he considered very interesting.

The hearing of the case soon commenced, and Nekhludoff, with the public, entered the left side of the Senate Chamber. They all, including Fanarin, took their places behind a grating. Only the Petersburg advocate went up to a desk in front of the grating.

The Senate Chamber was not so big as the Criminal Court; and was more simply furnished, only the table in front of the senators was covered with crimson, gold-trimmed velvet, instead of green cloth; but the attributes of all places of judgment, i.e., the mirror of justice, the icon, the emblem of hypocrisy, and the Emperor's portrait, the emblem of servility, were there.

The usher announced, in the same solemn manner: "The Court is coming." Every one rose in the same way, and the senators entered in their uniforms and sat down on highbacked chairs and leant on the table, trying to appear natural, just in the same way as the judges in the Court of Law. There were four senators present—Nikitin, who took the chair, a clean-shaved man with a narrow face and steely eyes; Wolf, with significantly compressed lips, and little white hands, with which he kept turning over the pages of the business papers; Skovorodnikoff, a heavy, fat, pockmarked man—the learned lawyer; and Bay, the patriarchal-looking man who had arrived last.

With the advocates entered the chief secretary and public prosecutor, a lean, clean-shaven young man of medium height, a very dark complexion, and sad, black eyes. Nekhludoff knew him at once, in spite of his curious uniform and the fact that he had not seen him for six years. He had been one of his best friends in Nekhludoff's student days.

"The public prosecutor Selenin?" Nekhludoff asked, turning to the advocate.

"Yes. Why?"

"I know him well. He is a fine fellow."

"And a good public prosecutor; business-like. Now he is the man you should have interested."

"He will act according to his conscience in any case," said Nekhludoff, recalling the intimate relations and friendship between himself and Selenin, and the attractive qualities of the latter—purity, honesty, and good breeding in its best sense.

"Yes, there is no time now," whispered Fanarin, who was listening to the report of the case that had commenced.

The Court of Justice was accused of having left a decision of the

Court of Law unaltered.

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Иммануил Кант – самый влиятельный философ Европы, создатель грандиозной метафизической системы, основоположник немецкой классической философии.Книга содержит три фундаментальные работы Канта, затрагивающие философскую, эстетическую и нравственную проблематику.В «Критике способности суждения» Кант разрабатывает вопросы, посвященные сущности искусства, исследует темы прекрасного и возвышенного, изучает феномен творческой деятельности.«Критика чистого разума» является основополагающей работой Канта, ставшей поворотным событием в истории философской мысли.Труд «Основы метафизики нравственности» включает исследование, посвященное основным вопросам этики.Знакомство с наследием Канта является общеобязательным для людей, осваивающих гуманитарные, обществоведческие и технические специальности.

Иммануил Кант

Философия / Проза / Классическая проза ХIX века / Русская классическая проза / Прочая справочная литература / Образование и наука / Словари и Энциклопедии