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Like all old people, the General, having once got on to a familiar topic, enumerated the various proofs he had often given before of the prisoners being exacting and ungrateful.

"They get books on spiritual subjects and old journals. We have a library. Only they rarely read. At first they seem interested, later on the new books remain uncut, and the old ones with their leaves unturned. We tried them," said the old General, with the dim likeness of a smile. "We put bits of paper in on purpose, which remained just as they had been placed. Writing is also not forbidden," he continued. "A slate is provided, and a slate pencil, so that they can write as a pastime. They can wipe the slate and write again. But they don't write, either. Oh, they very soon get quite tranquil. At first they seem restless, but later on they even grow fat and become very quiet." Thus spoke the General, never suspecting the terrible meaning of his words.

Nekhludoff listened to the hoarse old voice, looked at the stiff limbs, the swollen eyelids under the grey brows, at the old, clean-shaved, flabby jaw, supported by the collar of the military uniform, at the white cross that this man was so proud of, chiefly because he had gained it by exceptionally cruel and extensive slaughter, and knew that it was useless to reply to the old man or to explain the meaning of his own words to him.

He made another effort, and asked about the prisoner Shoustova, for whose release, as he had been informed that morning, orders were given.

"Shoustova—Shoustova? I cannot remember all their names, there are so many of them," he said, as if reproaching them because there were so many. He rang, and ordered the secretary to be called. While waiting for the latter, he began persuading Nekhludoff to serve, saying that "honest noblemen," counting himself among the number, "were particularly needed by the Tsar and—the country," he added, evidently only to round off his sentence. "I am old, yet I am serving still, as well as my strength allows."

The secretary, a dry, emaciated man, with restless, intelligent eyes, came in and reported that Shoustova was imprisoned in some queer, fortified place, and that he had received no orders concerning her.

"When we get the order we shall let her out the same day. We do not keep them; we do not value their visits much," said the General, with another attempt at a playful smile, which only distorted his old face.

Nekhludoff rose, trying to keep from expressing the mixed feelings of repugnance and pity which he felt towards this terrible old man. The old man on his part considered that he should not be too severe on the thoughtless and evidently misguided son of his old comrade, and should not leave him without advice.

"Good-bye, my dear fellow; do not take it amiss. It is my affection that makes me say it. Do not keep company with such people as we have at our place here. There are no innocent ones among them. All these people are most immoral. We know them," he said, in a tone that admitted no possibility of doubt. And he did not doubt, not because the thing was so, but because if it was not so, he would have to admit himself to be not a noble hero living out the last days of a good life, but a scoundrel, who sold, and still continued in his old age to sell, his conscience.

"Best of all, go and serve," he continued; "the Tsar needs honest men—and the country," he added. "Well, supposing I and the others refused to serve, as you are doing? Who would be left? Here we are, finding fault with the order of things, and yet not wishing to help the Government."

With a deep sigh Nekhludoff made a low bow, shook the large, bony hand condescendingly stretched out to him and left the room.

The General shook his head reprovingly, and rubbing his back, he again went into the drawing-room where the artist was waiting for him. He had already written down the answer given by the soul of Joan of Arc. The General put on his pince-nez and read, "Will know one another by light emanating from their astral bodies."

"Ah," said the General, with approval, and closed his eyes. "But how is one to know if the light of all is alike?" he asked, and again crossed fingers with the artist on the saucer.

The isvostchik drove Nekhludoff out of the gate.

It is dull here, sir, he said, turning to Nekhludoff. "I almost wished to drive off without waiting for you."

Nekhludoff agreed. "Yes, it is dull," and he took a deep breath, and looked up with a sense of relief at the grey clouds that were floating in the sky, and at the glistening ripples made by the boats and steamers on the Neva.

CHAPTER XX.

MASLOVA'S APPEAL.

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Иммануил Кант – самый влиятельный философ Европы, создатель грандиозной метафизической системы, основоположник немецкой классической философии.Книга содержит три фундаментальные работы Канта, затрагивающие философскую, эстетическую и нравственную проблематику.В «Критике способности суждения» Кант разрабатывает вопросы, посвященные сущности искусства, исследует темы прекрасного и возвышенного, изучает феномен творческой деятельности.«Критика чистого разума» является основополагающей работой Канта, ставшей поворотным событием в истории философской мысли.Труд «Основы метафизики нравственности» включает исследование, посвященное основным вопросам этики.Знакомство с наследием Канта является общеобязательным для людей, осваивающих гуманитарные, обществоведческие и технические специальности.

Иммануил Кант

Философия / Проза / Классическая проза ХIX века / Русская классическая проза / Прочая справочная литература / Образование и наука / Словари и Энциклопедии