Glory and honor blazoned on the quarters of the escutcheon, hidalgos, poets, priests, fabulous Americas, ladies-in-waiting,
galleys that apprehend the infidel, gibbets by the roadside, adventures, and swords flashing on every corner.
TOMÁS BORRÁS,
PURITY OF BLOOD
CONTENTS
I. SEÑOR QUEVEDO’S DIFFICULT MOMENT
II. THE NECK AND THE NOOSE
III. MADRID STEEL
IV. THE ASSAULT
V. IN GOD’S NAME
VI. SAN GINÉS ALLEY
VII. MEN OF ONE BOOK
VIII. A NOCTURNAL VISIT
IX.
X. UNFINISHED BUSINESS
EPILOGUE
I. SEÑOR QUEVEDO’S DIFFICULT MOMENT
That day there were bullfights in the Plaza Mayor, but constable Martín Saldaña’s festive fire had been doused. A woman had been found in a sedan chair in front of the church of San Ginés, strangled. In her hand was a pouch containing fifty
A pious old woman on her way to early church had found the body. She advised the sacristan, and he had informed the parish priest who, after a hurried absolution,
The chief constable set about his task in the most leisurely fashion, as if he had time to burn. Perhaps it was because of his history as a former soldier—he had served in Flanders before his wife (at least it was said it had been she) obtained his present position for him. In any case, Madrid’s chief constable went about his duties at a pace that a certain satiric poet—the gifted-in-wealth-as-well-as-talent Ruiz de Villaseca—had described in a poisonous
In any case, if it is true that Martín Saldaña was slow in certain things, he was definitely not so when it came to drawing his sword, or dagger, or poniard, or the well-oiled pistols he was wont to wear in his waistband—all of which clanged like sounds issuing from a smithy. On the night of the third day after the aforementioned
The fact is that from the calm and collected inspection the head constable made of the cadaver, almost nothing was learned. The dead woman was mature, nearer fifty than forty, dressed in a voluminous black gown and a headdress that lent her the look of a duenna, or a lady’s companion. Her purse held a rosary, along with a key and a crumpled religious card depicting the Virgin of Atocha. Around the victim’s neck was a gold chain bearing a medallion of Saint Águeda. Her own features suggested that in her younger days she had been well favored. There were no signs of violence other than the silk cord still cutting into her neck, and her mouth, frozen in the rictus of death. From her color, and the rigor, the constable concluded that she had been strangled the preceding night, in that same sedan chair, before being carried to church.
The detail of the pouch with money for masses for her soul indicated a twisted sense of humor—or, conversely, great Christian charity. After all, in the dark, violent, and contradictory Spain of our Catholic King Philip IV, in which dissolute wastrels and rough-living braggarts howled for confession at the top of their lungs after being shot or run through by a sword, it was not unusual to encounter a pious swordsman.
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Александр Бирюк , Александр Сакибов , Белла Мэттьюз , Ларри Нивен , Михаил Сергеевич Ахманов , Родион Кораблев
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