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'I went talking on, laughing and joking, when all of a sudden she flew out at me. How was I to know she was 'eart and soul in the movement? You never told me,' he added accusingly to his host.

'In Australia—' said Edward.

'I'll go and try and get her round. How was I to know?'

Mr Richards thrust back his chair and bounded from the room.

'Now, iawinyaw, iear oiler—' said Comrade Prebble judicially, but was interrupted.

'How very disturbing!' said Mr Waller. 'I am so sorry that this should have happened. Ada is such a touchy, sensitive girl. She—'

'In Australia,' said Edward in even tones, 'they've got Women's Suffrage already. Did you know that?' he said to Mike. 

Mike made no answer. His eyes were fixed on his plate. A bead of perspiration began to roll down his forehead. If his feelings could have been ascertained at that moment, they would have been summed up in the words, 'Death, where is thy sting?'

<p>18. </p><p>Psmith Makes a Discovery</p>

'Women,' said Psmith, helping himself to trifle, and speaking with the air of one launched upon his special subject, 'are, one must recollect, like—like—er, well, in fact, just so. Passing on lightly from that conclusion, let us turn for a moment to the Rights of Property, in connection with which Comrade Prebble and yourself had so much that was interesting to say this afternoon. Perhaps you'—he bowed in Comrade Prebble's direction—'would resume, for the benefit of Comrade Jackson—a novice in the Cause, but earnest—your very lucid—'

Comrade Prebble beamed, and took the floor. Mike began to realize that, till now, he had never known what boredom meant. There had been moments in his life which had been less interesting than other moments, but nothing to touch this for agony. Comrade Prebble's address streamed on like water rushing over a weir. Every now and then there was a word or two which was recognizable, but this happened so rarely that it amounted to little. Sometimes Mr Waller would interject a remark, but not often. He seemed to be of the opinion that Comrade Prebble's was the master mind and that to add anything to his views would be in the nature of painting the lily and gilding the refined gold. Mike himself said nothing. Psmith and Edward were equally silent. The former sat like one in a trance, thinking his own thoughts, while Edward, who, prospecting on the sideboard, had located a rich biscuit-mine, was too occupied for speech.

After about twenty minutes, during which Mike's discomfort changed to a dull resignation, Mr Waller suggested a move to the drawing-room, where Ada, he said, would play some hymns.

The prospect did not dazzle Mike, but any change, he thought, must be for the better. He had sat staring at the ruin of the blancmange so long that it had begun to hypnotize him. Also, the move had the excellent result of eliminating the snub-nosed Edward, who was sent to bed. His last words were in the form of a question, addressed to Mike, on the subject of the hypotenuse and the square upon the same.

'A remarkably intelligent boy,' said Psmith. 'You must let him come to tea at our flat one day. I may not be in myself—I have many duties which keep me away—but Comrade Jackson is sure to be there, and will be delighted to chat with him.'

On the way upstairs Mike tried to get Psmith to himself for a moment to suggest the advisability of an early departure; but Psmith was in close conversation with his host. Mike was left to Comrade Prebble, who, apparently, had only touched the fringe of his subject in his lecture in the dining-room.

When Mr Waller had predicted hymns in the drawing-room, he had been too sanguine (or too pessimistic). Of Ada, when they arrived, there were no signs. It seemed that she had gone straight to bed. Young Mr Richards was sitting on the sofa, moodily turning the leaves of a photograph album, which contained portraits of Master Edward Waller in geometrically progressing degrees of repulsiveness—here, in frocks, looking like a gargoyle; there, in sailor suit, looking like nothing on earth. The inspection of these was obviously deepening Mr Richards' gloom, but he proceeded doggedly with it.

Comrade Prebble backed the reluctant Mike into a corner, and, like the Ancient Mariner, held him with a glittering eye. Psmith and Mr Waller, in the opposite corner, were looking at something with their heads close together. Mike definitely abandoned all hope of a rescue from Psmith, and tried to buoy himself up with the reflection that this could not last for ever.

Hours seemed to pass, and then at last he heard Psmith's voice saying good-bye to his host.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука