Cote, M. and J. Pybus (2007), ‘Learning to Immaterial Labour 2.0: MySpace and Social Networks’, Ephemera: Theory and Politics in Organization, 7(1): 88–106.
Cowen, D. (2014), The Deadly Life of Logistics: Mapping Violence in Global Trade, Minneapolis: University of Minnesota Press.
Cox, G. (2015), ‘Critique of Software Violence’, Concreta, 5, http://editorialconcreta.org/Critique-of-Software-Violence-212 [accessed 12 December 2015].
Crahay, A. and Serres, M. (1988), La Mutation du Cogito: Genese du Transcendantal Objectif, Brussels: De Boeck.
Craig, P. (2005), Software Piracy Exposed, Rockland: Syngress.
Crawford, K. (2016), ‘Can an Algorithm be Agonistic? Ten Scenes from Life in Calculated Publics’, Science, Technology & Human Values, 41(1): 77–92.
Creed, B. (2009), Darwin’s Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema, Melbourne: Melbourne University Press.
Crenshaw, K. (1989), ‘Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory, and Antiracist Politics’, The University of Chicago Legal Forum, 1: 139–67.
Crenshaw, K. (1991), ‘Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color’, Stanford Law Review, 43(6): 1241–99.
Critical Art Ensemble (1998), Flesh Machine: Cyborgs, Designer Babies, and New Eugenic Consciousness, New York: Autonomedia.
Crutchfield, J. P. (1994), ‘The Calculi of Emergence: Computation, Dynamics, and Induction’, Physica D. Special issue on the Proceedings of the Oji International Seminar Complex Systems – from Complex Dynamics to Artificial Reality, 5–9 April 1994, Numazu, Japan SFI 94-03-016.
Crutzen, P. J. (2002), ‘Geology of Mankind’, Nature, 415: 23.
Crutzen, P. J. and E. F. Stoermer (2000), ‘The Anthropocene’, Global Change Newsletter 41: 17–18.
Cubitt, S. (1998), Digital Aesthetics, London: Sage.
Cubitt, S. (2014a), The Practice of Light. A Genealogy of Visual Technologies from Prints to Pixels, Cambridge, MA: MIT Press.
Cubitt, S. (2014b), ‘Decolonizing Ecomedia’, Cultural Politics 10(3): 275–86.
Cuff, D and M. Hansen (2008), ‘Urban Sensing: Out of the Woods’, Communications of the Association for Computing Machinery, 51(3): 24–33.
Cuttitta, P. (2012), Lo spettacolo del confine: Lampedusa tra produzione e messa in scena della frontiera, Milan: Mimesis.
Cvetkovich, A. (2012), Depression: A Public Feeling, Durham, NC: Duke University Press.
Da Costa, B. and K. Philip (2008), Tactical Biopolitics: Art, Activism, and Technoscience, Cambridge, MA: MIT Press.
Damasio, A. (1995), Descartes’ Error: Emotion, Reason, and the Human Brain, New York: Penguin.
Damasio, A. (2003), Looking for Spinoza? Joy, Sorrow and the Feeling Brain. London: William Heinemann.
Danowski D. and E. V. de Castro (2014), ‘Ha mundos por vir? Ensaio sobre os meios e os fins’, Brazil: Cultura e Barbarie.
Darling, J. (2014), ‘Post-Whatever #usermilitia’, in O. Kholeif (ed), You Are Here: Art After the Internet, Manchester: Cornerhouse.
Davies, W. (2015), ‘The Return of Social Government: From “Socialist Calculation” to “Social Analytics” ’, European Journal of Social Theory, 2(3): 359–77.
Davis, H. and E. Turpin (eds) (2015), Art in the Anthropocene. Encounters Among Aesthetics, Politics, Environments and Epistemologies, London: Open Humanities Press.
Davis, N. (2009), ‘New Materialism and Feminism’s Anti-Biologism: A Response to Sara Ahmed’, European Journal of Gender Studies, 16(1): 67–80.
Davis, W. (1988), Passage of Darkness: The Ethnobiology of the Haitian Zombie, Chapel Hill: University of North Carolina Press.