Jane heard a wail, a gasp, and turned to check on Stopper, but he was still unconscious. It had been the wind chicaning through the struts of the oil platform, howling like something animal, something crazed. It had to be savage as hell for him to be able to hear it through two inches of steel.
McLeish was taking too long. Jane could see him slowing down. At one point he dropped the console and swayed as if he was about to faint, but he put out a hand to stop himself. The oil platform was shifting alarmingly. Jane could imagine the black grin in the leg of the platform that they had been trying to prevent from widening. What would happen if that leg buckled completely? It didn't bear thinking about. He had to turn away. He went back to Stopper and tried to rouse him. He wiped his forehead, checked his vital signs again. Stopper was stable, but he'd wake up with a swine of a headache. Jane patted his pocket and felt the flat comfort of his son's letter. He must not lose that, no matter what.
A green light on the hatch door. Decompression was under way. Through the porthole – rapidly filling again with that gritty dense grain – he could see McLeish on his knees, vomiting blood and tissue onto the deck. McLeish who was comically cinematic whenever he played poker, wearing sunglasses to hide the signs his eyes might be giving, turning over his cards after a studied pause. McLeish who would fart in the middle of a tense scene during a film in the theatre and ask everyone if they wanted seconds. There was nothing Jane could do, but he whispered a thankyou anyway.
It was doubtful he'd see this thirty-six hours through. There was only one thing worth doing in this situation. Bolted to the wall between the bunks was a khaki-green metal box, fastened shut with eight screws. The words IN CASE OF EMERGENCY were stencilled in white on the face. Jane worked the screws free with a knife. The lid popped open, revealing a litre bottle of economy whisky bought from a corner shop for under ten pounds.
Jane cracked the seal and started drinking.
2. PRESSURE
He lay on the floor with Stopper. The ceaseless swaying of the chamber was bearable in that position. He could close his eyes and the freak weather's battering of the oil platform became manageable squalls of sound, like remembered arguments or old plumbing, and he didn't have to look at Stopper's pale skin or congealing wounds. It was just him, his whisky and the incremental dispersal of nitrogen from his blood and tissue.
Jane wondered for a moment what effect alcohol had on the decompression process but as soon as the thought was in him it was gone, replaced by others, seeping through him like gas in the blood. Stanley remained a constant throughout. He was a watermark on pages, indelible; not that Jane wanted him out of his thoughts, but some of the others were inappropriate. He didn't want his boy to share headspace when Saskia Sharkey from his sixth-form days – with her large breasts and talented tongue – flitted through his mind. Stanley oughtn't to be there when Gormley, his first boss, was tearing into him about timekeeping and Jane told him to ram his job. And all those girls he had brought tears to over the years. All those regrets, all that sorry. Maybe this shitstorm of blood and wind was down to him: payback time for being a career bastard.
Trimming the fat from his thoughts, bringing them back to the here and now, served only to alert Jane to the headache thickening behind his eyes. Alcohol for a man under as many kinds of pressure as you cared to mention couldn't be doing him any good. But what it did do, while he was decompressing, was compress his perception of time. That was one of the rare beauties of booze. It provided you with a beer Tardis to flip you forward to a point where you could have a coherent say in matters again.