The friars who surrounded them were dark ghosts in the fog. Door raised her voice. "Excuse me, brother," she called to Brother Sable. "But our friend, who's gone to get the key. If he fails, what happens to us?"
He took a step toward them, hesitated, and then said, "We escort you away from here, and we let you go."
"What about Richard?" she asked. Beneath his cowl, she could see him shaking his head, sadly, finally. "I should have brought the marquis," said Door; and she wondered where he was, and what he was doing.
The marquis de Carabas was being crucified on a large X-shaped wooden construction Mr. Vandemar had knocked together from several old pallets, part of a chair and a wooden gate. He had also used most of a large box of rusting nails.
It had been a very long time since they had crucified anybody.
The marquis de Carabas's arms and legs, were spread into a wide X shape. Rusty nails went into his hands and feet. He was also roped around the waist. After experiencing terrible pain, he was now, more or less, unconscious. The whole construction dangled in the air, from several ropes, in a room that had once been the hospital staff cafeteria. On the ground below, Mr. Croup had assembled a large mound of sharp objects, ranging from razors and kitchen knives to abandoned scalpels and lancets. There was even a poker, from the furnace room.
"Why don't you see how he's doing, Mister Vandemar?" asked Mr. Croup.
Mr. Vandemar reached out his hammer, and prodded the marquis experimentally with it.
The marquis de Carabas was not a good man, and he knew himself well enough to be perfectly certain that he was not a brave man. He had long since decided that the world, Above or Below, was a place that wished to be deceived, and, to this end, he had named himself from a lie in a fairy tale, and created himself—his clothes, his manner, his carriage—as a grand joke.
There was a dull pain at his wrists and his feet, and he was finding it harder and harder to breathe. There was nothing more to be gained by feigning unconsciousness, and he raised his head, as best he could, and spat a gob of scarlet blood into Mr. Valdemar's face.
It was a brave thing to do, he thought. And a stupid one. Perhaps they would have let him die quietly, if he had not done that. Now, he had no doubt, they would hurt him more.
And perhaps his death would come the quicker for it.
The open kettle was boiling fiercely. Richard watched the bubbling water, and the thick steam, and wondered what they were going to do with it. His imagination was able to provide any number of answers, most of which would have been unimaginably painful, none of which turned out to be correct.
The boiling water was poured into a pot, to which Brother Fuliginous added three spoons of dried, shredded leaves. The resultant liquid was poured from the pot through a tea strainer, into three china cups. The abbot raised his blind head, sniffed the air, and smiled. "The first part of the Ordeal of the Key," he said, "is the nice cup of tea. Do you take sugar?"
"No, thank you," said Richard, warily.
Brother Fuliginous added a little milk to the tea, and passed a cup and saucer to Richard. "Is it poisoned?" he asked.
The abbot looked almost offended: "Good gracious, no."
Richard sipped the tea, which tasted more or less exactly like tea always tasted. "But this
Brother Fuliginous took the abbot's hands and placed a cup of tea in them. "In a manner of speaking," said the abbot. "We always like to give the seekers a cup of tea before they start. Part of the ordeal for us. Not for you." He sipped his own tea, and a beatific smile spread across his ancient face. "Rather nice tea, all things considered."
Richard put down his teacup, almost untouched. "Would you mind," he asked, "if we just began the ordeal?"
"Not at all," said the abbot. "Not at all." He stood up, and the three of them walked toward a door, at the far end of the room.
"Is there . . . " Richard paused, trying to decide what he was trying to ask. Then he said, "Is there anything you can tell me about the ordeal?"