"You obviously don't understand the man, Mingus." Vincent chuckled sourly. "You've been to his house? You've seen the Psalm haven't you—in gold, near that picture of his dead wife? Psalm twenty-three, verse five?"
"Yeah, I've seen it."
"Did you read it?"
"Yeah, I know it: 'Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over.' It's from the famous 'The Lord is my Shepherd' Psalm. And?"
"I take it you didn't do too well in RE."
"Religious Education—sorry, you probably call it 'Bible study.'"
"I did OK."
"The meaning of psalm twenty-three, verse five, is this: in ancient times, the best form of revenge on your enemies wasn't death or imprisonment, but for them to watch you living it up and having a good time. After all, isn't success the greatest triumph over those who've hated you and wished you ill?"
Max was struggling to stay objective, neutral, even on his client's side, but what Paul was saying, coupled with the things he'd heard and read about Gustav Carver, were tempting him out of his professional shell.
"So he kept you here so you could watch Allain step out with the love of your life?"
"Technically, yes," Paul chuckled. "But…theoretically,
"What do you mean?"
"She wasn't stepping out with
"But I thought…" Max stopped. He was lost.
"What kind of detective
Max didn't say anything.
"You mean you
"No,
"You've lived in Miami all your life, you've just spent
"Yes, Allain Carver is a homosexual—G-A-Y—a
"There had been rumors about him for years, but no proof. Allain's never shat on his own doorstep. He just goes for long weekends in Miami, San Francisco, New York. Does his thing there, bottles it up over here."
"How do you know?"
"I've got photographic proof—videos too. Clyde Beeson took them for me. I employed him—anonymously, through a second party—about ten years ago."
"Figures. He fishes for shit," Max said. His head was still spinning. "So I guess coming out here is a big no-no?"
"
"Poor Allain," Max said. "All his money, influence, status, position—and he has to sneak around pretending he's something he isn't."
"He's not a bad guy," Vincent said. "Quite the opposite, in fact."
"So why did you get those pictures taken?"
"To smear him. I was going to plant the pictures in the Haitian press."
"Why?"
"Ying and yang. The ying, to liberate Allain, free him of his secret. The yang—revenge on Gustav, to embarrass him. The timing would have been perfect: the old man was in poor shape. Baby Doc had fallen from power, his wife was dying, his health wasn't good—I thought a little public humiliation would push him over the edge—you know,
"Why didn't you see it through?"
"I couldn't do that to Allain, exploit the poor guy's sexuality, trample over him so I could get to his father."
"How
"Once bitten, twice shy."
"You tried that?"
"Eddie Faustin stopped the bullet."
"That was you? Figures." Max nodded. "So, Gustav married Allain to Francesca to put an end to the rumors?"
"Yes." Vincent nodded. "And…"
"And?"
"That wasn't
"He spent most of a decade trying to get her pregnant. He referred to their sessions as 'making a deposit.'" Vincent laughed bitterly. "Josie had two miscarriages, a stillbirth, a daughter who only lived for six months, but no son.