'But you've got something, Davey. You've got your hate and your anger.’
He turned to Cave again. 'See, Mr Cave? You've got to be asking, how come Davey puts up with a committed worker for the Church of Rome, or the Whore of Rome as Davey himself might put it? A question that has to be answered.’
When he looked round, Soutar was on the stage. He pushed over the sets, kicking them, stomping them, then jumped down again and made for the doors. His face was orange with anger.
'Was Billy a friend too, Davey?’
That stopped him dead. 'Billy Cunningham, I mean.’
Soutar was on the move.
'Daveyl! You've forgotten your fags!' But Davey Soutar was out the door and screaming things which were unintelligible. Rebus lit a cigarette for himself.
'That laddie's got too much testosterone for his own good,' he said to Cave.
'Look who's talking.’
Rebus shrugged. 'Just an act, Mr Cave. Method acting, you might say.’
He blew out a plume of smoke. Cave was staring at his hands, which were clasped in his lap. 'You need to know what you've gotten into.’
Cave looked up. 'You think I condone sectarian hate?’
'No, my theory's much simpler. I think you get off on violence and young men.’
'You're sick.’
'Then maybe all you are, Mr Cave, is misguided. Get out while you can. A policeman's largesse never lasts.’
He walked over to Cave and bent down, speaking quietly. `They've swallowed you, you're in the pit of the Gar-B's stomach. You can still crawl out, but maybe there's not as much time as you think.’
Rebus patted Cave's cheek. It was cold and soft, like chicken from the fridge.
'Look at yourself some time, Rebus. You might find you'd make a bloody good terrorist yourself.’
'Thing is, I'd never be tempted. What about you?’
Cave stood up and walked past him towards the doors. Then he walked through them and kept going. Rebus blew smoke from his nose, then sat on the edge of the stage, finishing the cigarette. Maybe he'd tripped Soutar's fuse too early. If it had come out right, he'd have learned something more about The Shield. At the moment, it was all cables and coiled springs, junctions from which spread different coloured wires. Hard to defuse when you didn't know which wire to attack first.
The doors were opening again, and he looked up. Davey Soutar was standing there. Behind him there were others, more than a dozen of them. Soutar was breathing hard. Rebus glanced at his watch and hoped it was right. There was an Emergency Exit at the other end of the hall, but where did Rebus go from there? Instead, he climbed onto the stage and watched them advance. Soutar wasn't saying anything. The whole procession took place in silence, except for breathing and the shuffle of feet on the floor. They were at the front of the stage now. Rebus picked up a length of wood, part of the broken set. Soutar, his eyes on the wood, began to climb onto the stage.
He stopped when he heard the sirens. He froze for a moment, staring up at Rebus. The policeman was smiling. 'Think I'd come here without my cavalry, Davey?’
The sirens were drawing closer. 'Your call, Davey,' Rebus said, managing to sound relaxed. 'If you want another riot, here's your chance.’
But all Davey Soutar did was ease himself back off the stage. He stood there, eyes wide and unblinking, as if sheer will of thought might cause Rebus to implode. A final snarl, and he turned and walked away. They followed him, all of them. Some looked back at Rebus. He tried not to look too relieved, lit another cigarette instead. Soutar was crazy, a force gone mad, but he was strong too. Rebus was just beginning to realise how very strong he was.
He went home exhausted that evening, 'home' by now being a very loose term for Patience's flat.
He was still shaking a bit. When Soutar had left the hall that first time, he'd taken it all out on Rebus's car. There were fresh dents, a smashed headlamp, a chipped windscreen. The actors in the van looked like they'd witnessed a frenzy. Then Rebus had told them about their sets.
He'd thought about the theatre group on his way, under police escort, out of the Gar-B. They'd been parked outside the Dell the night he'd seen the Ulsterman there. He still had their flyer; the one that had doubled as a paper plane.
At St Leonard's, he found them in the Fringe programme, Active Resistance Theatre; active as opposed to passive, Rebus supposed. He placed a couple of calls to Glasgow. Someone would get back to him. The rest of the day was a blur.
As he was locking what was left of his car, he sensed a shape behind him.
'Damn you, weasel-face!' But he turned to see Caroline Rattray.
'Weasel-face?’
'I thought you were someone else.’
She put her arms round him. 'Well I'm not, I'm me. Remember me? I'm the one who's being trying to phone you for God knows how long. I know you got my messages, because someone in your office told me.’
That would be Ormiston. Or Flower. Or anyone else with a grudge.
'Christ, Caro.’
He pulled away from her. 'You must be crazy.’