Half-dressed, in shoes but no socks, in pants but no underpants, Milton Stephanides raced his Delta 88 through the early morning streets. All the way to Woodward nothing seemed amiss. The roads were clear. Everyone was still asleep. As he turned onto West Grand Boulevard, however, he saw a pillar of smoke rising into the air. Unlike all the other pillars of smoke issuing from the city’s smokestacks, this pillar didn’t disperse into the general smog. It hung low to the ground like a vengeful tornado. It churned and kept its fearsome shape, fed by what it consumed. The Oldsmobile was heading straight for it. Suddenly people appeared. People running. People carrying things. People laughing and looking over their shoulders while other people waved their hands, appealing for them to stop. Sirens wailed. A police car raced past. The officer at the wheel signaled Milton to turn back, but Milton did not obey.
And it was funny, because these were his streets. Milton had known them his whole life. Over there on Lincoln there used to be a fruit stand. Lefty used to stop there with Milton to buy cantaloupes, teaching Milton how to pick a sweet one by looking for tiny punctures left by bees. Over on Trumbull was where Mrs. Tsatsarakis lived.
Milton looked away from the dancing children and saw the pillar of smoke right in front of him, blocking the street. There was a second or two when he could have turned back. But he didn’t. He hit it dead on. The Oldsmobile’s hood ornament disappeared first, then the front fenders and the roof. The taillights gleamed redly for a moment and then winked out.
In every chase scene we’d ever watched, the hero always climbed up to the roof. Strict realists in my family, we always objected: “Why do they always go up?” “Watch. He’s going to climb the tower. See? I told you.” But Hollywood knew more about human nature than we realized. Because, faced with this emergency, Tessie took Chapter Eleven and me up to the attic. Maybe it was a vestige of our arboreal past; we wanted to climb up and out of danger. Or maybe my mother felt safer there because of the door that blended in with the wallpaper. Whatever the reason, we took a suitcase full of food up to the attic and stayed there for three days, watching the city burn on my grandparents’ small black-and-white. In housedress and sandals, Desdemona held her cardboard fan to her chest, shielding herself against the spectacle of life repeating itself. “Oh my God! Is like Smyrna! Look at the
It was hard to argue with the comparison. In Smyrna people had taken their furniture down to the waterfront; and on television now people were carrying furniture, too. Men were lugging brand-new sofas out of stores. Refrigerators were sailing along the avenues, as were stoves and dishwashers. And just like in Smyrna everyone seemed to have packed all their clothes. Women were wearing minks despite the July heat. Men were trying on new suits and running at the same time. “Smyrna! Smyrna! Smyrna!” Desdemona kept wailing, and I’d already heard so much about Smyrna in my seven years that I watched the screen closely to see what it had been like. But I didn’t understand. Sure, buildings were burning, bodies were lying in the street, but the mood wasn’t one of desperation. I’d never seen people so happy in my entire life. Men were playing instruments taken from a music store. Other men were handing whiskey bottles through a shattered window and passing them around. It looked more like a block party than it did a riot.
Up until that night, our neighborhood’s basic feeling about our fellow Negro citizens could be summed up in something Tessie said after watching Sidney Poitier’s performance in