Mean Streets

"I don't know if I'll be able to bring it back. It might have to stay here," I added, glancing down again at the phantom hound. Once the knot of hair had come free, so had the dog, and I wasn't sure if it was the hair or the sculpture that had held the spirit in the clay shell, but I wanted to know more before I let any of the parts out of my hands.

The ghost dog leaned against me and seemed to doze. I envied it; the beer had made me feel more tired than ever. Resigned, I stuffed the bag of pottery bits into my purse and went back to fruitless phone calls for the next hour. Outside of Mexico City directory assistance, most of the people I talked to had no better English than I had Spanish—and my Spanish was embarrassingly poor. The dog stirred and I could feel its low growl as it pressed against my leg.

A man of medium height with short black hair stopped beside me and looked me over as I tried to make myself clear—without much success—to a clerk in a provincial office somewhere in Oaxaca. The man carried a leather briefcase. He wore a gray suit, had a bland, oval face made interesting only by a boxer's crooked nose and basset-hound eyes. He smelled of laundry starch. The aura around him jittered and jumped in flickers of vibrant orange and blue as his eyes moved over everything, evaluating, cataloging…. He seemed to have a hot-sauce stain on his tie, but it could have been part of the pattern.

His eyes flicked down toward my feet and he blinked, but I wasn't sure if he saw the ghost dog or if he just didn't like my boots. He turned his restless gaze back to me, waited until I hung up in frustration, and said, "You gotta be Harper Blaine."

He didn't look at all like Lou Costello, not even a Hispanic version. He didn't look like an international law practitioner with an advanced degree from Columbia, either. He looked like a guy who worked in an office eight to five, like an insurance adjuster or a midlevel manager in a very expensive suit.

"You must be Guillermo Banda," I replied.

"Willy. You can call me Willy." He hoisted himself onto the bar stool next to mine, keeping his feet away, as if I might kick him without warning.

Considering my ex-boyfriend was named Will, that particular first name didn't sound like a good idea. "I'd rather not," I said and wondered if he could see the ghost dog—he seemed a little wound up.

He shrugged. "I'm sorry if I offended you, Miss Blaine." He put the briefcase on the bar and snapped it open. It held a single manila folder and a business-size envelope. Banda picked up the folder. "These are the last three versions of Miss Arbildo's will. I don't have to show them to you, but since a will in probate is a public record here, just as it is in the U.S., you could get most of this information by searching the district probate records—"

I cut him off. "Mr. Banda, I'm not offended with you and I'm not trying to put your back up. I'm just at a loss to understand this. I don't know why I was named in your client's will—I've never met her or heard of her. I just want to understand what I'm doing. I don't want to be stuck with some creepy mystery for the rest of my life." I did not look at the dog, but I could feel it still rumbling and pressing to me. "The conditions say I'm to put the dog on the grave intact. What am I supposed to do, now that the statue is broken?"

He put the folder down in the case and picked up the envelope, offering it to me. "That's easy. You take the money and run. I'm sure Miss Arbildo won't even know. She inherited a truckload. Thirty thousand U.S. is a drop in the bucket."

I was sure she would mind. Very much. I shook my head and didn't touch the envelope. "I can't do that. Maybe if I knew why she wanted the dog put on Purecete's grave, I could agree, but I don't. What is with the dog?"

Banda laughed—a tired laugh but genuinely amused. "It's a tradition. A really old one. You don't see it around here much anymore—up in the mountains around Michoacan and Yunuen, maybe in Oaxaca, but even there it's dying out. It's from the Aztecs. They used to sacrifice a dog and burn the body on the funeral pyres because they believed the dog could lead the spirit of the dead to Mictlan. Now we just use a statue.

"See, the Mexican Land of the Dead is kind of like Dante's geography of Hell—it's got rings, only nicer. In the middle is Mictlan—where the dead live just like we do and from which they can someday be reborn. But it's a long way for a soul to go and there's a river you have to cross as well, so you need a guide: the dog, because tradition says dogs can always find the way home. Every year, the dead come back to visit us during el Dia de los Muertos. The really traditional people put a statue of a dog on the ofrenda—the offerings on the family altar—so their dead relatives don't get lost coming and going."

"OK, I get the dog, but why me? Why would your client want a perfect stranger from two thousand miles away to take the dog to Purecete's grave?"