They travelled the time waves, they found him, they explained the situation - with some difficulty - to him, and did indeed persuade him. In fact they persuaded him to such an effect that he became extremely rich at their hands, and the girl about whom he was otherwise destined to write which such precision never got around to leaving him, and in fact they moved out of the forest to a rather nice pad in town and he frequently commuted to the future to do chat shows, on which he sparkled wittily.
He never got around to writing the poems, of course, which was a problem, but an easily solved one. The manufacturers of correcting fluid simply packed him off for a week somewhere with a copy of a later edition of his book and a stack of dried habra leaves to copy them out on to, making the odd deliberate mistake and correction on the way.
Many people now say that the poems are suddenly worthless. Others argue that they are exactly the same as they always were, so what’s changed? The first people say that that isn’t the point. They aren’t quite sure what the point is, but they are quite sure that that isn’t it. They set up the Campaign for Real Time to try to stop this sort of thing going on. Their case was considerably strengthened by the fact that a week after they had set themselves up, news broke that not only had the great Cathedral of Chalesm been pulled down in order to build a new ion refinery, but that the construction of the refinery had taken so long, and had had to extend so far back into the past in order to allow ion production to start on time, that the Cathedral of Chalesm had now never been built in the first place. Picture postcards of the cathedral suddenly became immensely valuable.
So a lot of history is now gone for ever. The Campaign for Real Timers claim that just as easy travel eroded the differences between one country and another, and between one world and another, so time travel is now eroding the differences between one age and another.
– The past, - they say, - is now truly like a foreign country. They do things exactly the same there.
Chapter 18
Arthur materialized, and did so with all the customary staggering about and clasping at his throat, heart and various limbs which he still indulged himself in whenever he made any of these hateful and painful materializations that he was determined not to let himself get used to.
He looked around for the others.
They weren’t there.
He looked around for the others again.
They still weren’t there.
He closed his eyes.
He opened them
He looked around for the others.
They obstinately persisted in their absence.
He closed his eyes again, preparatory to making this completely futile exercise once more, and because it was only then, whilst his eyes were closed, that his brain began to register what his eyes had been looking at whilst they were open, a puzzled frown crept across his face.
So he opened his eyes again to check his facts and the frown stayed put.
If anything, it intensified, and got a good firm grip. If this was a party it was a very bad one, so bad, in fact, that everybody else had left. He abandoned this line of thought as futile. Obviously this wasn’t a party. It was a cave, or a labyrinth, or a tunnel of something - there was insufficient light to tell. All was darkness, a damp shiny darkness. The only sounds were the echoes of his own breathing, which sounded worried. He coughed very slightly, and then had to listen to the thin ghostly echo of his cough trailing away amongst winding corridors and sightless chambers, as of some great labyrinth, and eventually returning to him via the same unseen corridors, as if to say…
– Yes?
This happened to every slightest noise he made, and it unnerved him. He tried to hum a cheery tune, but by the time it returned to him it was a hollow dirge and he stopped.
His mind was suddenly full of images from the story that Slartibartfast had been telling him. He half-expected suddenly to see lethal white robots step silently from the shadows and kill him. He caught his breath. They didn’t. He let it go again. He didn’t know what he did expect.
Someone or something, however, seemed to be expecting him, for at that moment there lit up suddenly in the dark distance an eerie green neon sign.
It said, silently:
You have been Diverted
The sign flicked off again, in a way which Arthur was not at all certain he liked. It flicked off with a sort of contemptuous flourish. Arthur then tried to assure himself that this was just a ridiculous trick of his imagination. A neon sign is either on or off, depending on whether it has electricity running through it or not. There was no way, he told himself, that it could possibly effect the transition from one state to the other with a contemptuous flourish. He hugged himself tightly in his dressing gown and shivered, nevertheless.
The neon sign in the depths now suddenly lit up, bafflingly, with just three dots and a comma. Like this:
…,
Only in green neon.