“Ah, I was just coming to that. When they realised that a doctor, or rather my sort of doctor, was no use, they called in Father Severinus, from the Sant’ Ubaldo monastery. This Father Severinus was a very special and holy person. He had turned up in Gubbio from some faraway country, no-one could discover which. He was rarely seen in the town. Apart from major festivals or funerals he never left the mountain, where he lived his life of strict self-denial. However he was now somehow prevailed upon to come down and visit the disturbed woman. The meeting between them, they say, was harrowing and dramatic. When she caught sight of him she screamed and collapsed. Father Severinus himself turned pale and staggered on his feet. It seems he realised what a difficult case it would be. But he did succeed in the end.”
“How?”
“That I don’t know. It seems he exorcised the ghost. After he’d talked with her for a full hour in some strange tongue, he went back up the mountain. She calmed down and left Gubbio. And after that nobody ever saw her again, or the ghost.”
“Very interesting. But tell me,” asked Mihály, giving way to a sudden suspicion, “this Father Severinus, did he really come from some foreign country? Do you honestly not know where he was from?”
“I’m sorry, I don’t. Nobody does.”
“What sort of person, I mean, in outward appearance?”
“Quite tall, rather gaunt. As monks usually are.”
“And he is still up there, in the monastery?”
“Yes. You should go and see him. Only he can help someone in your condition.”
Mihály thought profoundly. Life was full of inexplicable coincidences. This Father Severinus could be Ervin, and the woman Éva, haunted by the memory of Tamás …
“You know what, doctor? Tomorrow I’ll go to Gubbio. For your sake, because you are such a kind person. And because, as an amateur of religious history, I am curious about these doors of the dead.”
Ellesley was delighted with this outcome.
The next day Mihály packed his things. When Millicent arrived to visit him he told her: “I have to travel to Gubbio. The doctor says that only there will I get better.”
“Truly? Then I’m afraid it means we shall have to part. I’m staying on here for a time in Foligno. I really love this place. And at first I was so angry with that Frenchman, who tricked me into coming here, do you remember? But now I don’t mind. And the doctor is such a nice man.”
“Millicent, I am sorry, I still owe you money. I feel really bad about it, but you know, back home it has to be channelled abroad through the National Bank, and the banking machinery is very complicated. Do please bear with me. Truly, it should come in the next few days.”
“Don’t mention it. And if you see any good pictures, do write to me.”
XI
GUBBIO is reached by the narrow-gauge motor-train that runs between Fossato di Vico and Arezzo. Despite the shortness of the distance, it is a tedious journey. It was also hot, and Mihály was exhausted by the time he arrived. But the city, as it came into view a little way up the road from the station, filled him, from the very first glance, with delight.
It cowered on the side of a huge, barren, typically Italian hill, as if it had collapsed while fleeing upwards in terror. As you looked at it, not a single house seemed less than hundreds of years old.
At the centre of a topsy-turvy tangle of streets, there towered an incredibly high building. Quite why it had been erected in the centre of this godforsaken place, and by whom, he could not imagine: a vast, gloomy medieval skyscraper. It was the Palazzo dei Consoli, from which the consuls ruled the little community of Gubbio until the fifteenth century, when it came under the sway of the Montefeltri, princes of Urbino. And above the town, almost at the peak of the Monte Ingino, stood a long, vast white block of a building, the monastery of Sant’ Ubaldo.
Meanwhile down below, on the road leading up from the station, Mihály found an inn that appeared to be of the better sort. He took a room, had lunch, rested a little, then set out to explore Gubbio. He inspected the interior of the cavernous Palazzo dei Consoli, which reminded him somewhat of a vast studio, with its extremely ancient