then translating them for me into Russian. After a quarter of an hour, let us say, when I had completely disappeared beneath forms, symbols, and assimilations, he said:
"There, now make
he said: "That is another line." We sat until the morning. This was in Koumbaradji Street a little below the former Russian consulate. At length the town began to wake. I
had written, I think, five verses and had stopped at the last line of the fifth verse. No kind of effort could make my brain turn any more. G. laughed but he also was tired
and could not go on. So the verse remained as it was, unfinished, because he never
returned again to this song.
Two or three months passed by in this way. I helped G. all I could in organizing his
Institute. But gradually the same difficulties arose before me as in Essentuki. So that,
when the Institute was opened, I think in October, I was unable to join it. But in order
not to hinder G. or to give rise to discord among those who came to my lectures, I put
an end to my own lectures and ceased to visit Constantinople. A few of those who
came to my lectures visited me in Prinkipo and there we continued the talks begun in
Constantinople.
Two months later when G.'s work had already become consolidated I again started
to give lectures at the "Miyak" in Constantinople and I continued them for another six months. I visited G.'s Institute from time to time and sometimes he 'came to me in
Prinkipo. The inner relationship between us remained very good. In the spring he
proposed that I should give lectures in his Institute and I began to give lectures there
once a week in which G. himself took part, supplementing my explanations.
At the beginning of summer G. closed his Institute and went over to Prinkipo.
Somewhere about this time I told him in detail of a plan I had drawn up for a book to
expound his St. Petersburg lectures and talks with commentaries of my own. He
agreed to this plan and authorized me to write and publish it. Up till then I had
submitted to the general rule, obligatory for everyone, which concerned G.'s work.
According to this rule nobody under any circumstances had the right to write even for
his own
use anything connected with him or his ideas, or any other participants in the work, or
to keep letters, notes, and so on, still less to publish anything. During the first years G.
insisted strongly upon the obligatory nature of this rule and it was supposed that
everyone accepted in the work would give his word to write nothing (and it goes
without saying to publish nothing) referring to G. without special permission, even in
the event of his leaving the work and G.
This was one of the fundamental rules. Every new person who joined us heard
about it and it was considered to be fundamental and obligatory. But afterwards G.
accepted in his work people who paid no attention to this rule or who did not wish to
consider it. This explains the subsequent appearance of descriptions of various
moments in G.'s work.
I passed the summer of 1921 in Constantinople and in August left for London.
Before my departure G. proposed that I should go with him to Germany where he
once more intended to open his Institute and prepare his ballet. But in the first place I did not believe it was possible to organize work in Germany and secondly I did not
believe that I could work with G.
Soon after my arrival in London I began to give lectures in continuation of the work
at Constantinople and Ekaterinodar. I learned that G. had gone to Germany with his
Tiflis company and with those of my Constantinople people who had joined him. He
tried to organize work in Berlin and Dresden and intended to purchase the apartments
of the former Institut Dalcroze in Helleran near Dresden. But nothing came out of it
all and in connection with the proposed purchase some strange events took place
which ended in legal proceedings. In February, 1922, G. came to London. I at once
invited him, as a matter of course, to my lectures and introduced him to all who were
coming to them. This time my attitude towards him was much more definite. I still
expected a very great deal more from his work and I decided to do everything I could
to help him to organize his Institute and the preparation of his ballet. But I did not
believe it was possible for me to work with him. I saw again all the former obstacles
which had begun to appear in Essentuki. This time they had appeared even before he
arrived. The outward situation was that G. had done very much towards the
accomplishment of his plans. The chief thing was that a certain cadre of people, about
twenty, had been prepared, with whom it was possible to begin. The music for the
ballet had almost all been prepared (with the co-operation of a well-known musician).
The organization of the Institute had been worked out. But there was no money to put