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When he had recovered enough to look again, he saw on the bedspread what looked like a row of salt and pepper mixed; just about as long as the woman had been. It was the first time he’d ever seen such a thing.

Shaken by the sight, he went out of the house on trembling legs and sat in the car for an hour, drinking the flask empty. But even liquor couldn’t drive away the vision.

It had been so quick. With the sound of the mallet blow still in his ears, she had virtually dissolved before his eyes.

He recalled talking once to a Negro at the plant. The man had studied mortuary science and had told Robert Neville about the mausoleums where people were stored in vacuum drawers and never changed their appearance.

“But you just let some air in,” the Negro had said, “and whoom! — they’ll look like a row of salt and pepper. Jus’ like that!” And he snapped his fingers.

The woman had been long dead, then. Maybe, the thought occurred, she was one of the vampires who had originally started the plague. God only knew how many years she’d been cheating death.

He was too unnerved to do any more that day or for days to come. He stayed home and drank to forget and let the bodies pile up on the lawn and let the outside of the house fall into disrepair.

For days he sat in the chair with his liquor and thought about the woman. And, no matter how hard he tried not to, no matter how much he drank, he kept thinking about Virginia. He kept seeing himself entering the crypt, lifting the coffin lid.

He thought he was coming down with something, so palsied and nerveless was his shivering, so cold and ill did he feel.

Is that what she looked like?

Chapter Nine

Morning. A sun bright hush broken only by the chorus of birds in the trees. No breeze to stir the vivid blossoms around the houses, the bushes, the dark-leaved hedges. A cloud of silent heat was suspended over everything on Cimarron Street.

Virginia Neville’s heart had stopped.

He sat beside her on the bed, looking down at her white face. He held her fingers in his hand, his fingertips stroking and stroking. His body was immobile, one rigid, insensible block of flesh and bone. His eyes did not blink, his mouth was a static line, and the movement of his breathing was so slight that it seemed to have stopped altogether.

Something had happened to his brain.

In the second he had felt no heartbeat beneath his trembling fingers, the core of his brain seemed to have petrified, sending out jagged lines of calcification until his head felt like stone. Slowly, on palsied legs, he had sunk down on the bed. And now, vaguely, deep in the struggling tissues of thought, he did not understand how he could sit there, did not understand why despair did not crush him to the earth. But prostration would not come. Time was caught on hooks and could not progress. Everything stood fixed. With Virginia, life and the world had shuddered to a halt.

Thirty minutes passed; forty. Then, slowly, as though he were discovering some objective phenomenon, he found his body trembling. Not with a localized tremble, a nerve here, a muscle there. This was complete. His body shuddered without end, one mass, entire of nerves without control, bereft of will. And what operative mind was left knew that this was his reaction.

For more than an hour he sat in this palsied state, his eyes fastened dumbly to her face.

Then, abruptly, it ended, and with a choked muttering in his throat he lurched up from the bed and left the room.

Half the whisky splashed on the sink top as he poured. The liquor that managed to reach the glass he bolted down in a swallow. The thin current flared its way down to his stomach, feeling twice as intense in the polar numbness of his flesh. He stood, sagged against the sink. Hands shaking, he filled the glass again to its top and gulped the burning whisky down with great convulsive swallows.

It’s a dream, he argued vainly. It was as if a voice spoke the words aloud in his head.

“Virginia...”

He kept turning from one side to another, his eyes searching around the room as if there were something to be found, as if he had mislaid the exit from this house of horror. Tiny sounds of disbelief pulsed in his throat. He pressed his hands together, forcing the shaking palms against each other, the twitching fingers intertwining confusedly.

His hands began to shake so he couldn’t make out their forms. With a gagging intake of breath he jerked them apart and pressed them against his legs.

“Virginia.”

He took a step and cried aloud as the room flung itself off balance. Pain exploded in his right knee, sending hot barbs up his leg. He whined as he pushed himself up and stumbled to the living room. He stood there like a statue in an earthquake, his marble eyes frozen on the bedroom door.

In his mind he saw a scene enacted once again.

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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика