Provoked by Crow’s and my own involvement with the Wilmarth Foundation (that vast, august and amazingly covert body, dedicated to the detection and the destruction of Earth’s elder evil, within and outside of Man himself, and working in the sure knowledge that Man is but a small and comparatively recent phenomenon in a cosmos which has known sentience, good and evil, through vast and immeasurable cycles of time), dark forces did indeed destroy Blowne House. In so doing they effectively removed Titus Crow from the scene, and as for myself…I am but recently returned to it.
But since visiting the ruins of Crow’s old place all these later years (perhaps because the time flown in between means so very little to me?), I have come to wonder more and more about the
• • •
Crow’s letter—a single hand-written sheet in a blank, sealed envelope, delivered by a taxi driver and the ink not quite dry—was at once terse and cryptic, which was not unusual and did not at all surprise me. When Titus Crow was idling, then all who wished anything to do with him must also bide their time, but when he was in a hurry—
Henri,
Come as soon as you can, midnight would be fine. I expect you will stay the night. If you have not eaten, don’t—there is food here. I have something of a story to tell you, and in the morning we are to visit a cemetery!
Until I see you—
Titus
The trouble with such invitations was this: I had never been able to refuse them! For Crow being what he was, one of London’s foremost occultists, and my own interest in such matters amounting almost to obsession—why, for all its brevity, indeed by the very virtue of that brevity—Crow’s summons was more a royal command!
And so I refrained from eating, wrote a number of letters which could not wait, enveloped and stamped them, and left a note for my housekeeper, Mrs. Adams, telling her to post them. She was to expect me when she saw me, but in any matter of urgency I might be contacted at Blowne House. Doubtless the dear lady, when she read that address, would complain bitterly to herself about the influence of “that dreadful Crow person,” for in her eyes Titus had always been to blame for my own deep interest in darkling matters. In all truth, however, my obsession was probably inherited, sealed into my personality as a permanent stamp of my father, the great New Orleans mystic Etienne-Laurent de Marigny.
Then, since the hour already approached twelve and I would be late for my “appointment”, I phoned for a taxi and double-checked that my one or two antique treasures were safely locked away; and finally I donned my overcoat. Half an hour or so later, at perhaps a quarter to one, I stood on Crow’s doorstep and banged upon his heavy oak door; and having heard the arrival of my taxi, he was there at once to greet me. This he did with his customary grin (or enigmatic smile?), his head cocked slightly to one side in an almost inquiring posture. And once again I was ushered into the marvellous Aladdin’s cave which was Blowne House.
Now, Crow had been my friend ever since my father sent me out of America as a child in the late ’30s, and no man knew him better than I; and yet his personality was such that whenever I met him—however short the intervening time—I would always be impressed anew by his stature, his leonine good looks, and the sheer weight of intellect which seemed invariably to shine out from behind those searching, dark eyes of his. In his flame-red, wide-sleeved dressing gown, he might easily be some wizard from the pages of myth or fantasy.
In his study he took my overcoat, bade me sit in an easy chair beside a glowing fire, tossed a small log onto ruddy embers and poured me a customary brandy before seating himself close by. And while he was thus engaged I took my chance to gaze with fascination and unfeigned envy all about that marvellous room.
Crow himself had designed and furnished that large room to contain most of what he considered important to his world, and certainly I could have spent ten full years there in constant study of the contents without absorbing or even understanding a fifth part of what I read or examined. However, to give a brief and essentially fleshless account of what I could see from my chair: