Читаем Haggopian and Other Stories полностью

I do not know what happened then—it was as if I had been suddenly unplugged—I was asleep, yet not asleep—in a trance-like condition full of strange impressions and mind-pictures—abounding in unpleasant and realistic sensations, with dimly recollected snatches of previously absorbed information floating up to the surface of my conscious mind, correlating themselves with the strange people in the railway compartment with me…

And in that dream-like state my brain was still very active; possibly fully active. All my senses were still working; I could hear the clatter of the wheels and smell the acrid tang of burnt tobacco from the compartment’s ash-trays. I saw Moustache produce a folding table from the rack above his head—saw him open it and set it up in the aisle, between Funny-Mouth and himself on their side and Pin-Stripe and his companion on my side—saw the designs upon it, designs suggestive of the more exotic work of Chandler Davies, and wondered at their purpose. My head must have fallen back, until it rested in the corner of the gently rocking compartment, for I saw all these things without having to move my eyes; indeed, I doubt very much if I could have moved my eyes and do not remember making any attempt to do so.

I saw that book—a queerly bound volume bearing its title, The Tuscan Rituals, in archaic, burnt-in lettering on its thick spine—produced by Pin-Stripe and opened reverently to lie on that ritualistic table, displayed so that all but Funny Mouth, Jock, and I could make out its characters. But Funny-Mouth did not seem in the least bit interested in the proceedings. He gave me the impression that he had seen it all before, many times…

Knowing I was dreaming—or was I?—I pondered that title, The Tuscan Rituals. Now where had I heard of such a book or books before? The feel of it echoed back into my subconscious, telling me I recognised that title—but in what connection?

I could see Jock, too, on the fixed border of my sphere of vision, lying with his head lolling towards Funny-Mouth—in a trance similar to my own, I imagined—eyes staring at the drawn blinds on the compartment windows. I saw the lips of Pin-Stripe, out of the corner of my right eye, and those of Moustache, moving in almost perfect rhythm, and imagined those of Other—as I had named the fourth who was completely out of my periphery of vision—doing the same, and heard the low and intricate liturgy which they were chanting in unison.

Liturgy? Tuscan Rituals? Now what dark “God” was this they worshipped? …And what had made that thought spring to my dreaming or

hypnotised mind? And what was Moustache doing now?

He had a bag and was taking things from it, laying them delicately on the ceremonial table. Three items in all in one corner of the table, that nearest Funny-Mouth. Round cakes of wheat-bread in the shape of wheels with ribbed spokes. Now who had written about offerings of round cakes of—…?

Festus? Yes, Festus—but, again, in what connection?

Then I heard it. A name: chanted by the three worshippers, but not by Funny-Mouth who still sat aloofly upright. “Summanus, Summanus, Summanus…” They chanted; and suddenly, it all clicked into place.

Summanus! Of whom Martianus Capella had written as being The Lord of Hell…I remembered now. It was Pliny who, in his Natural History, mentioned the dreaded Tuscan Rituals, “books containing the Liturgy of Summanus…” Of course; Summanus—Monarch of Night—The Terror that Walketh in Darkness; Summanus, whose worshippers were so few and whose cult was surrounded with such mystery, fear, and secrecy that according to St. Augustine even the most curious enquirer could discover no particular of it.

So Funny-Mouth, who stood so aloof to the ceremony in which the

others were participating, must be a priest of the cult.

Though my eyes were fixed—my centre of vision being a picture, one of three, on the compartment wall just above Moustache’s head—I could still clearly see Funny-Mouth’s face and, as a blur to the left of my periphery, that of Jock. The liturgy had come to an end with the calling of the “God’s” name and the offering of bread. For the first time Funny-Mouth seemed to be taking an interest. He turned his head to look at the table and just as I was certain that he was going to reach out and take the breadcakes the train lurched and Jock slid sideways in his seat, his face coming into clearer perspective as it came to rest about half-way down Funny-Mouth’s upper right arm. Funny-Mouth’s head snapped round in a blur of motion. Hate, livid and pure, shone from those cold eyes, was reflected by the bristling eyebrows and tightening features; only the strange, painted-on mouth remained sterile of emotion. But he made no effort to move Jock’s head.

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Звездная месть
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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика