Читаем Good Citizens Need Not Fear: Stories полностью

Smena had asked Milena to bring potatoes two weeks prior. If Milena and Larissa picked up an item or two of food for her every now and then, with her small appetite she would be fine. She did not want her neighbors to suspect that, combined, they were part of a greater pattern. She hadn’t been to the bazaar in over a year, hadn’t even ventured past her front door. Each time Smena opened the door, she felt the dank air of the outer hallway cling to her skin, as if she were being pulled into a tomb.

Smena’s fears had begun with a newspaper article: a boy had tripped over exposed rebar and broken both wrists. For years, the townspeople had been privately griping about the poor state of roads, sidewalks, bridges, but this was the first time the consequences of decaying infrastructure were publicized. Soon more and more reports came, from all over the country, each more outlandish than the next. A sinkhole trapped a commuter bus. A family of five plummeted to their deaths in an elevator malfunction. A gas leak gently poisoned preschoolers for weeks before being discovered. Pedestrians were advised to avoid underpasses.

Even previously privileged information was released, about how the town had been built on a not-quite-drained marsh that was slowly reliquifying. Smena’s daughter, and her daughter’s university friends, had cheered on the liberation of the press, which was taking place in their respective towns, too. But Smena had felt safer under the maternal hand of censorship.

Smena’s building, her entire town, now felt like a death trap, but she convinced herself that the concrete walls of her own apartment were secure. After a yearlong renovation, none of the windows or doors creaked. The new checkerboard linoleum felt smooth and sturdy under her feet. As long as she stayed in her space, twelve by twelve steps, she would be safe.

The X-ray of Nika’s skull lay on the kitchen table. Smena admired its smooth round shape. No matter how penetrating the radiology waves, the thoughts and desires within that doomed chamber remained secret. There Nika lived, and there she would die.

Smena felt no pity. Pity masked itself as kindness, but was rooted in condescension. Smena would not want to be pitied herself.

She turned Megadeth back on. Screaming therapy, she thought. Now there’s something useful.

She lit a cigarette, and paused to appreciate the scratchy vocals and pulse-raising tempo before hitting Stop, resetting the needle to the beginning. Using manicure scissors, Smena cut the radiograph into a circular shape. She made a hole in the middle of the circle with her lit cigarette, right where the ear would be, and the acrid smell of burning plastic rose from the film. She positioned the film on the phonograph, attached a spidery metal arm from the record player’s needle to the cutting stylus on the phonograph, and hit Play on both machines. As the grooves on the vinyl vibrated the needle and produced music, the metal arm transmitted the vibrations to the cutting stylus and reproduced the grooves onto Nika’s skull.

The evening before the next meeting, Larissa’s eleven-year-old daughter knocked on Smena’s door. Given Larissa’s talent for fashioning replicas, Smena found it fitting that Dasha should look just like her wide-eyed mother—down to the cowlick, and the platoon of bobby pins enlisted to flatten it. The girl informed Smena that her mother couldn’t make it to their biweekly study session on dialectical materialism—Smena couldn’t help smiling—because her mother was so sick with the flu she couldn’t crawl up two flights of stairs to tell Smena Timofeevna so herself.

Smena dropped her smile, remembering. “Eggs? Bread?”

Dasha tilted her head, confused. “No thank you.” She turned on her heel and skipped down the corridor, purple dress rustling.

Smena spent the next hour scouring her kitchen, making a mental inventory of the remaining food: three potatoes, two bread heels, nine walnuts, one thimble-size jar of horseradish. Her millet and rice stocks had run out the month prior. If she cut down her already meager consumption, she estimated the supplies would last less than a week.

The smell of boiling chicken now wafting from the heating vent did not help calm Smena’s nerves.

One thing Smena would not do was call her own daughter. After the grandchildren started coming, occasionally the daughter called to suggest Smena come live with her and her family in Crimea. They could sleep on the sofa bed together like old times, her daughter would joke, figure out a cot for the son-in-law. Smena would hear the shrieks of the grandchildren at the other end of the line and try to imagine herself as the babushka depicted in children’s folktales: stout, puffy-cheeked, bending over a cauldron of bubbling pea soup with a wooden spoon in hand, ready to feed, bathe, rear an entire village.

“The time isn’t right for a move,” she had told her daughter the last time they spoke. “I’m too busy.”

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