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“Soon’s Ah kick dis black trash outer mah way,” answered Mammy loudly, swinging the carpetbag at a black buck who loitered tantalizingly in front of her and making him leap aside. “Ah doan lak disyere town, Miss Scarlett. It’s too full of Yankees an’ cheap free issue.”

“It’s nicer where it isn’t so crowded. When we get across Five Points, it won’t be so bad.”

They picked their way across the slippery stepping stones that bridged the mud of Decatur Street and continued up Peachtree, through a thinning crowd. When they reached Wesley Chapel where Scarlett had paused to catch her breath that day in 1864 when she had run for Dr. Meade, she looked at it and laughed aloud, shortly and grimly. Mammy’s quick old eyes sought hers with suspicion and question but her curiosity went unsatisfied. Scarlett was recalling with contempt the terror which had ridden her that day. She had been crawling with fear, rotten with fear, terrified by the Yankees, terrified by the approaching birth of Beau. Now she wondered how she could have been so frightened, frightened like a child at a loud noise. And what a child she had been to think that Yankees and fire and defeat were the worst things that could happen to her! What trivialities they were beside Ellen’s death and Gerald’s vagueness, beside hunger and cold and back-breaking work and the living nightmare of insecurity. How easy she would find it now to be brave before an invading army, but how hard to face the danger that threatened Tara! No, she would never again be afraid of anything except poverty.

Up Peachtree came a closed carriage and Scarlett went to the curb eagerly to see if she knew the occupant, for Aunt Pitty’s house was still several blocks away. She and Mammy leaned forward as the carriage came abreast and Scarlett, with a smile arranged, almost called out when a woman’s head appeared for a moment at the window- a too bright red head beneath a fine fur hat. Scarlett took a step back as mutual recognition leaped into both faces. It was Belle Watling and Scarlett had a glimpse of nostrils distended with dislike before she disappeared again. Strange that Belle’s should be the first familiar face she saw.

“Who dat?” questioned Mammy suspiciously. “She knowed you but she din’ bow. Ah ain’ never seed ha’r dat color in mah life. Not even in de Tarleton fambly. It look-well, it look dyed ter me!”

“It is,” said Scarlett shortly, walking faster.

“Does you know a dyed-ha’rd woman? Ah ast you who she is.”

“She’s the town bad woman,” said Scarlett briefly, “and I give you my word I don’t know her, so shut up.”

“Gawdlmighty!” breathed Mammy, her jaw dropping as she looked after the carriage with passionate curiosity. She had not seen a professional bad woman since she left Savannah with Ellen more than twenty years before and she wished ardently that she had observed Belle more closely.

“She sho dressed up fine an’ got a fine cah’ige an’ coachman,” she muttered. “Ah doan know whut de Lawd thinkin’ ’bout lettin’ de bad women flurrish lak dat w’en us good folks is hongry an’ mos’ barefoot.”

“The Lord stopped thinking about us years ago,” said Scarlett savagely. “And don’t go telling me Mother is turning in her grave to hear me say it, either.”

She wanted to feel superior and virtuous about Belle but she could not. If her plans went well, she might be on the same footing with Belle and supported by the same man. While she did not regret her decision one whit, the matter in its true light discomfited her. “I won’t think of it now,” she told herself and hurried her steps.

They passed the lot where the Meade house had stood and there remained of it only a forlorn pair of stone steps and a walk, leading up to nothing. Where the Whitings’ home had been was bare ground. Even the foundation stones and the brick chimneys were gone and there were wagon tracks where they had been carted away. The brick house of the Elsings still stood, with a new roof and a new second floor. The Bonnell home, awkwardly patched and roofed with rude boards instead of shingles, managed to look livable for all its battered appearance. But in neither house was there a face at the window or a figure on the porch, and Scarlett was glad. She did not want to talk to anyone now.

Then the new slate roof of Aunt Pitty’s house came in view with its red-brick walls, and Scarlett’s heart throbbed. How good of the Lord not to level it beyond repair! Coming out of the front yard was Uncle Peter, a market basket on his arm, and when he saw Scarlett and Mammy trudging along, a wide, incredulous smile split his black face.

I could kiss the old black fool, I’m so glad to see him, thought Scarlett, joyfully and she called: “Run get Auntie’s swoon bottle, Peter! It’s really me!”

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука