Читаем Gone with the Wind полностью

A cold wind was blowing stiffly and the scudding clouds overhead were the deep gray of slate when Scarlett and Mammy stepped from the train in Atlanta the next afternoon. The depot had not been rebuilt since the burning of the city and they alighted amid cinders and mud a few yards above the blackened ruins which marked the site. Habit strong upon her, Scarlett looked about for Uncle Peter and Pitty’s carriage, for she had always been met by them when returning from Tara to Atlanta during the war years. Then she caught herself with a sniff at her own absent-mindedness. Naturally, Peter wasn’t there for she had given Aunt Pitty no warning of her coming and, moreover, she remembered that one of the old lady’s letters had dealt tearfully with the death of the old nag Peter had “’quired” in Macon to bring her back to Atlanta after the surrender.

She looked about the rutted and cut-up space around the depot for the equipage of some old friend or acquaintance who might drive them to Aunt Pitty’s house but she recognized no one, black or white. Probably none of her old friends owned carriages now, if what Pitty had written them was true. Times were so hard it was difficult to feed and lodge humans, much less animals. Most of Pitty’s friends, like herself, were afoot these days.

There were a few wagons loading at the freight cars and several mud-splashed buggies with rough-looking strangers at the reins but only two carriages. One was a closed carriage, the other open and occupied by a well-dressed woman and a Yankee officer. Scarlett drew in her breath sharply at the sight of the uniform. Although Pitty had written that Atlanta was garrisoned and the streets full of soldiers, the first sight of the bluecoat startled and frightened her. It was hard to remember that the war was over and that this man would not pursue her, rob her and insult her.

The comparative emptiness around the train took her mind back to that morning in 1862 when she had come to Atlanta as a young widow, swathed in crepe and wild with boredom. She recalled how crowded this space had been with wagons and carriages and ambulances and how noisy with drivers swearing and yelling and people calling greetings to friends. She sighed for the light-hearted excitement of the war days and sighed again at the thought of walking all the way to Aunt Pitty’s house. But she was hopeful that once on Peachtree Street, she might meet someone she knew who would give them a ride.

As she stood looking about her a saddle-colored negro of middle age drove the closed carriage toward her and, leaning from the box, questioned: “Cah’ige, lady? Two bits fer any whar in ‘Lanta.”

Mammy threw him an annihilating glance.

“A hired hack!” she rumbled. “Nigger, does you know who we is?”

Mammy was a country negro but she had not always been a country negro and she knew that no chaste woman ever rode in a hired conveyance-especially a closed carriage-without the escort of some male member of her family. Even the presence of a negro maid would not satisfy the conventions. She gave Scarlett a glare as she saw her look longingly at the hack.

“Come ‘way frum dar, Miss Scarlett! A hired hack an’ a free issue nigger! Well, dat’s a good combination.”

“Ah ain’ no free issue nigger,” declared the driver with heat. “Ah b’longs ter Ole Miss Talbot an’ disyere her cah’ige an’ Ah drives it ter mek money fer us.”

“Whut Miss Talbot is dat?”

“Miss Suzannah Talbot of Milledgeville. Us done move up hyah affer Old Marse wuz kilt.”

“Does you know her, Miss Scarlett?”

“No,” said Scarlett, regretfully. “I know so few Milledgeville folks.”

“Den us’ll walk,” said Mammy sternly. “Drive on, nigger.”

She picked up the carpetbag which held Scarlett’s new velvet frock and bonnet and nightgown and tucked the neat bandanna bundle that contained her own belongings under her arm and shepherded Scarlett across the wet expanse of cinders. Scarlett did not argue the matter, much as she preferred to ride, for she wished no disagreement with Mammy. Ever since yesterday afternoon when Mammy had caught her with the velvet curtains, there had been an alert suspicious look in her eyes which Scarlett did not like. It was going to be difficult to escape from her chaperonage and she did not intend to rouse Mammy’s fighting blood before it was absolutely necessary.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука