Читаем Gone with the Wind полностью

As he lounged up the walk, hand on holster, beady little eyes glancing to right and left, a kaleidoscope of jumbled pictures spun in her mind, stories Aunt Pittypat had whispered of attacks on unprotected women, throat cuttings, houses burned over the heads of dying women, children bayoneted because they cried, all of the unspeakable horrors that lay bound up in the name of “Yankee.”

Her first terrified impulse was to hide in the closet, crawl under the bed, fly down the back stairs and run screaming to the swamp, anything to escape him. Then she heard his cautious feet on the front steps and his stealthy tread as he entered the hall and she knew that escape was cut off. Too cold with fear to move, she heard his progress from room to room downstairs, his steps growing louder and bolder as he discovered no one. Now he was in the dining room and in a moment he would walk out into the kitchen.

At the thought of the kitchen, rage suddenly leaped up in Scarlett’s breast, so sharply that it jabbed at her heart like a knife thrust, and fear fell away before her overpowering fury. The kitchen! There, over the open kitchen fire were two pots, one filled with apples stewing and the other with a hodgepodge of vegetables brought painfully from Twelve Oaks and the MacIntosh garden-dinner that must serve for nine hungry people and hardly enough for two. Scarlett had been restraining her appetite for hours, waiting for the return of the others and the thought of the Yankee eating their meager meal made her shake with anger.

God damn them all! They descended like locusts and left Tara to starve slowly and now they were back again to steal the poor leavings. Her empty stomach writhed within her. By God, this was one Yankee who would do no more stealing!

She slipped off her worn shoe and, barefooted, she pattered swiftly to the bureau, not even feeling her festered toe. She opened the top drawer soundlessly and caught up the heavy pistol she had brought from Atlanta, the weapon Charles had worn but never fired. She fumbled in the leather box that hung on the wall below his saber and brought out a cap. She slipped it into place with a hand that did not shake. Quickly and noiselessly, she ran into the upper hall and down the stairs, steadying herself on the banisters with one hand and holding the pistol close to her thigh in the folds of her skirt.

“Who’s there?” cried a nasal voice and she stopped on the middle of the stairs, the blood thudding in her ears so loudly she could hardly hear him. “Halt or I’ll shoot!” came the voice.

He stood in the door of the dining room, crouched tensely, his pistol in one hand and, in the other, the small rosewood sewing box fitted with gold thimble, gold-handled scissors and tiny goldtopped acorn of emery. Scarlett’s legs felt cold to the knees but rage scorched her face. Ellen’s sewing box in his hands. She wanted to cry: “Put it down! Put it down, you dirty-” but words would not come. She could only stare over the banisters at him and watch his face change from harsh tenseness to a half-contemptuous, half-ingratiating smile.

“So there is somebody ter home,” he said, slipping his pistol back into its holster and moving into the hall until he stood directly below her. “All alone, little lady?”

Like lightning, she shoved her weapon over the banisters and into the startled bearded face. Before he could even fumble at his belt, she pulled the trigger. The back kick of the pistol made her reel, as the roar of the explosion filled her ears and the acrid smoke stung her nostrils. The man crashed backwards to the floor, sprawling into the dining room with a violence that shook the furniture. The box clattered from his hand, the contents spilling about him. Hardly aware that she was moving, Scarlett ran down the stairs and stood over him, gazing down into what was left of the face above the beard, a bloody pit where the nose had been, glazing eyes burned with powder. As she looked, two streams of blood crept across the shining floor, one from his face and one from the back of his head.

Yes, he was dead. Undoubtedly. She had killed a man.

The smoke curled slowly to the ceiling and the red streams widened about her feet. For a timeless moment she stood there and in the still hot hush of the summer morning every irrelevant sound and scent seemed magnified, the quick thudding of her heart, like a drumbeat, the slight rough rustling of the magnolia leaves, the far-off plaintive sound of a swamp bird and the sweet smell of the flowers outside the window.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука