Читаем Gone with the Wind полностью

She was sick of all this nursing. This very day she would tell Mrs. Merriwether that Ellen had written her to come home for a visit. Much good this did her, for that worthy matron, her sleeves rolled up, her stout figure swathed in a large apron, gave her one sharp look and said: “Don’t let me hear any more such foolishness, Scarlett Hamilton. I’ll write your mother today and tell her how much we need you, and I’m sure she’ll understand and let you stay. Now, put on your apron and trot over to Dr. Meade. He needs someone to help with the dressings.”

“Oh, God,” thought Scarlett drearily, “that’s just the trouble. Mother will make me stay here and I shall die if I have to smell these stinks any longer! I wish I was an old lady so I could bully the young ones, instead of getting bullied-and tell old cats like Mrs. Merriwether to go to Halifax!”

Yes, she was sick of the hospital, the foul smells, the lice, the aching, unwashed bodies. If there had ever been any novelty and romance about nursing, that had worn off a year ago. Besides, these men wounded in the retreat were not so attractive as the earlier ones had been. They didn’t show the slightest interest in her and they had very little to say beyond: “How’s the fightin’ goin’? What’s Old Joe doin’ now? Mighty clever fellow, Old Joe.” She didn’t think Old Joe a mighty clever fellow. All he had done was let the Yankees penetrate eighty-eight miles into Georgia. No, they were not an attractive lot. Moreover, many of them were dying, dying swiftly, silently, having little strength left to combat the blood poisoning, gangrene, typhoid and pneumonia which had set in before they could reach Atlanta and a doctor.

The day was hot and the flies came in the open windows in swarms, fat lazy flies that broke the spirits of the men as pain could not. The tide of smells and pain rose and rose about her. Perspiration soaked through her freshly starched dress as she followed Dr. Meade about, a basin in her hand.

Oh, the nausea of standing by the doctor, trying not to vomit when his bright knife cut into mortifying flesh! And oh, the horror of hearing the screams from the operating ward where amputations were going on! And the sick, helpless sense of pity at the sight of tense, white faces of mangled men waiting for the doctor to get to them, men whose ears were filled with screams, men waiting for the dreadful words: “I’m sorry, my boy, but that hand will have to come off. Yes, yes, I know; but look, see those red streaks? It’ll have to come off.”

Chloroform was so scarce now it was used only for the worst amputations and opium was a precious thing, used only to ease the dying out of life, not the living out of pain. There was no quinine and no iodine at all. Yes, Scarlett was sick of it all, and that morning she wished that she, like Melanie, had the excuse of pregnancy to offer. That was about the only excuse that was socially acceptable for not nursing these days.

When noon came, she put off her apron and sneaked away from the hospital while Mrs. Merriwether was busy writing a letter for a gangling, illiterate mountaineer. Scarlett felt that she could stand it no longer. It was an imposition on her and she knew that when the wounded came in on the noon train there would be enough work to keep her busy until night-fall-and probably without anything to eat.

She went hastily up the two short blocks to Peachtree Street, breathing the unfouled air in as deep gulps as her tightly laced corset would permit. She was standing on the corner, uncertain as to what she would do next, ashamed to go home to Aunt Pitty’s but determined not to go back to the hospital, when Rhett Butler drove by.

“You look like the ragpicker’s child,” he observed, his eyes taking in the mended lavender calico, streaked with perspiration and splotched here and there with water which had slopped from the basin. Scarlett was furious with embarrassment and indignation. Why did he always notice women’s clothing and why was he so rude as to remark upon her present untidiness?

“I don’t want to hear a word out of you. You get out and help me in and drive me somewhere where nobody will see me. I won’t go back to the hospital if they hang me! My goodness, I didn’t start this war and I don’t see any reason why I should be worked to death and-”

“A traitor to Our Glorious Cause!”

“The pot’s calling the kettle black. You help me in. I don’t care where you were going. You’re going to take me riding now.”

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука