Donnell slipped that lovely codicil into a desk drawer, picked up the phone and heard Robin's voice say, "Hi, it's me. How you doing?" He told her he couldn't talk now. But she was in a hurry and said she needed a favor, asking him if he could get somebody to do a job. He told her just a minute and put his hand over the phone.
"Mr. Woody, you take off your clothes at the swimming pool. Go on now. I be right there."
The man shuffled out and Donnell kept his hand on the phone a while longer thinking, Shit, the man could fall in the pool and drown and it would be too soon. The lawyer had to get the codicil first and put it in the will. Then the man could fall in the pool and drown or drink himself to death or hit his head on the toilet…
So he hurried talking to Robin and agreed, okay, to get somebody, yeah, uh-huh, saying he understood when Robin said, "We want to take him out, but not all the way," and let her tell him why it wouldn't be good to have Skip do the job, risk his getting busted. Not at this point, blow the deal. Donnell had questions he didn't ask. He told her he'd see.
Robin said he had to do more than see, he had to get somebody. She said this was crucial and Donnell said all right, he'd do it, but right now had to do something else. Hung up and ran down the hall to the swimming pool.
The man was already in the water, a scene of peace and contentment, floating naked on the rubber raft, fat little hands flapping at the water, barely moving him… See?
Everything was fine. Beautiful.
The man's voice raised to call.
"Donnell?"
"I'm right here."
"I want Arthur Prysock instead of Ezio Pinza."
"I don't blame you."
"For a change."
"Yes sir, you got it."
"
"On the Street Where You Live."
" "One of my favorites too, Mr. Woody."
What was wrong with this street where he lived, this house? Sit and wait for the man one day to take his last drink, throw up and die. What was the hurry to have a lot of money if he wasn't going anywhere? He believed he could trust Robin to give him his million out of the check, scare her ass not to think otherwise. This Skippy he'd have to see about. Best now to keep it moving, get it over with and done. Million seven, all the different kind of money accounts and shit the man had, he wouldn't even miss it… Sleeping on his rubber boat, Arthur Prysock running his voice up and down the street, belting the shit out of that old tune. Donnell brought the phone from the bar to the table and dialed a number.
He said, "Juicy, tell me what you been doing," and listened to this young dude growl and breathe animal sounds into the phone, in a bad mood after visiting the pink room up in Homicide, sitting hours in that closet while they asked him the same shit.
Donnell said, "You out of work, you out of finances. I have a man for you needs to be vamped on. Tell me what you charge to bust his leg, put him in the hospital about a month."
Juicy said, "I'm tired."
Donnell said, "Take you two minutes from the time he gets out of his Cadillac. Polack name Mankowski, not near big as you."
Juicy said, "Mankowski, shit, I know that name, that man a cop."
Donnell straightened him out. The man was suspended, didn't have a badge or a gun no more, was out of business.
Juicy said, "They took his gun, huh?… He's the motherfucker let Booker blow his self up."
Donnell said, "I thought was you and Moselle did that."
Juicy said, "I wasn't there. You understand? He was there, I wasn't.
He let it happen to my man. Yeah, I'll bust his legs good."
"Just one."
"I'll give you a deal for the same price. I'll put him away."
"Juicy?"
"I'll take him out someplace and lose his ass. Nobody ever see him again."
"Juicy? How much just for the one leg?"
Saturday afternoon Chris had time to kill, so he walked the few blocks from 1300 to the Renaissance Center and went to the show. He saw Lethal Weapon and watched how Mel Gibson took care of the bad guys;
Chris thinking, So that's what you do, you shoot 'em. Mel Gibson played a burnout and supposedly didn't care if he got killed or not, which was harder for Chris to believe than how good Mel was with his fifteen-shot Beretta. Chris's pistol, the Clock auto, began to dig into his groin as he sat there, so he slipped it into his coat pocket in the dark of the theater watching Mel Gibson. Pretty cool for a burnout. Though he couldn't imagine a homicide cop being allowed to dress that scruffy, even in L.A. Homicide cops were dudes.