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He went back to Maureen's desk, dialed Robin's number and listened to four rings before she answered: her voice softer than Maureen's, sounding bored as she said hello.

"Robin? It's Skip."

There was a silence.

Chris said, "What's the matter?"

Now a long pause before she said, "Who is this?"

"I just told you, it's Skip."

She hung up.

Chris waited about twenty seconds and dialed Robin's number again. The line was busy. He looked at Maureen's notes, dialed Robin's mother's number, got a busy signal and continued to listen to it, telling himself it didn't mean it was Skip. Telling himself the hell it didn't. It was, it was Skip. During the next couple of minutes he dialed Robin's number five times before it finally rang and she answered.

"Hi. This is Chris Mankowski."

He waited. See if she remembered him. Picturing her in that dingy room with the zingy red design painted on the wall, Robin trying to think fast, get it together, wanting to sound cool when she came on.

She said, "You just called, didn't you?" With the bored tone.

"And you hung up on me," Chris said.

"I tried to call you back, but I guess you were talking to Skip."

There was a silence.

"Hang up and call Donnell this time. If he hasn't already told you about me, ask him. Mankowski?"

She said, "I know who you are, but that's about it.

You're either a cop or a two-bit hustler and I don't know why I'm even talking to you."

"I'll drop around and tell you," Chris said, "in about an hour."

"I won't be here. I have to see a lawyer."

"That's not a bad idea."

There was a pause before Robin said, "Well, if you're going to be downtown later…"

"How about Galligan's?"

She said, "No, I'll meet you at Hart Plaza about six," and hung up.

Chris waited, dialed her number and got a busy signal.

He copied phone numbers and addresses, Greta's, Robin's and her mother's, on a sheet of notepaper and put it in his coat pocket. When he dialed Robin's number again the line was still busy.

He couldn't think of why she wanted to meet him outside and not in a bar. There was not much doubt Skip would be with her. He didn't know Skip, if Skip was mean and nasty or what. He believed Skip was the type-judging from the way he put a bomb together-who didn't give a shit and would let you know it. Skip and Juicy Mouth.

Chris left Sex Crimes and went down to six, to Firearms and Explosives, his old hangout. He had turned in his police.38 along with his shield and I.D. The gun his dad had given him, the Clock 17 auto, was still here in a locked cabinet. He filled the magazine with 9-millimeter rounds, remembering the St. Antoine Clinic doctor trying to make something out of it, asking him if he liked guns and getting into all that shit about spiders. Spiders, Jesus, who worried about spiders.

Skip couldn't stand it for long down in the basement rec room, being underground. It seemed nice at first. The bar had a pinkish mirror back of it that made you look tan and healthy while you sat there getting smashed, all by yourself. He had to stay clear of the first floor, other than slipping into the kitchen now and then; somebody could look in a window and see him. So he hung out upstairs in Robin's mom's bedroom. It had a bed with a canopy over it, a fireplace and living room furniture, it was so big, and a bathroom full of different kinds of bubble bath, lotions, skin creams and shit and really smelled good in there.

Saturday afternoon lying on the couch he watched a movie on TV called Straight Time that had one of his all-time favorite actors in it, Harry Dean Stanton. Jesus, but the guy made it look so real, the nervous state you were in pulling a stickup.

Then to have your partner turn geek on you and you can't get him out of the fucking jewelry store-Skip could imagine that feeling. He was starting to get it with Robin as she turned from fun-loving to being a female hard-on. Harry Dean Stanton had died in that picture only because he made a bad decision and agreed to associate with gee ks Had to run when their driver spooked and got shot off a fence by the cops.

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