Flashback

Two men stepped out of the shadows but they weren’t winos or addicts. They were well-dressed young Japanese men. Sato nodded to them and one of the athletic-looking young men unlocked the double lock on the door.

“Coming to the crime scene six years after the crime,” said Nick, his voice shaking slightly from the cold and from the roil of fury inside him. “You think seeing this empty building after all this time is going to tell me anything?”

Sato’s only reply was to switch on the lights.

Nick had been to this crime-scene building numerous times five years and eleven months ago, even though he hadn’t been the responding homicide detective first on the scene, and he remembered the totally trashed mess of a site it was: three large rooms filled with couches and chairs and screens and a small kitchen on the first floor, furniture turned over everywhere, flashback vials crushed underfoot, lamps broken in the stampede of the witnesses to get out before the cops arrived that night, even wads of dirty clothing and the occasional used condom in corners.

No longer.

The furniture had been repaired and returned, the lamps were back in place and working, and although every surface was cluttered with dishes and glasses—a huge buffet had been set out down here on the first floor that night as a movie wrap party for Keigo’s Japanese assistants, the interview subjects, and others involved in his documentary film—all three rooms and the kitchen were now clean and in a fairly orderly early-party-stage clutter again.

“I don’t get it,” said Nick.

Sato handed him a pair of stylish wrap-around tactical glasses.

Even before activating them, Nick noticed how tremendously light they were. The DPD tactical glasses had always seemed to weigh a pound or more and gave their users headaches after ten minutes. Not these glasses. They were as light as regular sunglasses and, being wrap-around, filled his entire field of vision. The DPD glasses had always been an island of virtual sight with a vertigo-inducing reality seeping in all around.

Nick touched the icon on the glasses’ stem and just barely caught himself from exclaiming aloud. He took a few steps to confirm what he now saw.

All three party rooms and the kitchen were suddenly filled with people frozen in mid-stride, mid-conversation, mid-munch, mid-laugh, mid-flirt, and mid-flashback-inhalation. Real faces, real bodies. Real people.

He’d expected the figures to be there—it was what tac-glasses did—but he hadn’t expected this level of reality. The DPD and American military tactical glasses he’d used generated little more than wire-frame stick people with cartoonish and barely recognizable faces floating above the armature bodies like Halloween masks on a stick.

These were real people. The quality of 3D digital rendering was on the level of virtual movies or TV series being streamed these days, including the popular Casablanca series starring Humphrey Bogart, Claude Rains, Ingrid Bergman, and such constant new guest stars as nineteen-year-old Lauren Bacall. And after a while on that series, Nick knew from his late-night viewings, it didn’t seem at all strange to have other guest stars from different eras such as Tom Cruise, Leonardo DiCaprio, Kathleen Turner, Galen Watts, Byron Bezukhov, Sheba Tits, or even all-virt stars such as Natasha Lyubof or Tadanobu Takeshi on the show. They were all equally real.

As real as the people suddenly filling this space and the adjoining rooms.

He took the tac-glasses off and paced through the rooms that circled the central open staircase. Sato followed. The rooms were now empty of anyone but Sato and him. He put the glasses back on and felt the inevitable jolt of vertigo as more than two hundred people reappeared.

Walking closer and inspecting the face of the first witness and interview subject he’d recognized, the former Israeli poet Danny Oz—pores were visible on the haggard man’s face and Nick could see the burst capillaries in Oz’s eyes and nose—he said, “This must have cost Mr. Nakamura a fucking fortune.”

Sato didn’t find that comment worth responding to.

“All three floors virtualized like this?” asked Nick, moving around the room looking closely at the unblinking men and women. He paused to stare down the low bodice of a young blond woman he didn’t recognize, perhaps one of the hookers hired for the party.

“Of course,” said Sato.

Nick looked up at the security chief. Sato didn’t appear any more or less three-dimensional, solid, or real than the other men and women and transvestites and gender-benders in the crowded room. Just broader and thicker than anyone else. Also, Sato was no longer the only Jap in the room. Besides two very young men and a young woman whom Nick recognized as being part of Keigo Nakamura’s video and sound crew, there were three well-dressed bodyguards, also wearing tactical glasses.

Why would they be wearing tac-glasses? wondered Nick but set the question aside for now. His head hurt.